This is a bit of a dream team coming together for a recent iranian film: Kiarostami writes and Panahi directs. And the film is an appropriate hybrid. It has the sloow, thoughtful, gritty realistic, real-life dialogue laden, meandering-but-focused story that Kiarostami makes, along with the focus on social injustice that Panahi had in the Circle.
It's on the top ten for Iranian film which means definitely get it. Great film. Great photography. Lots of teheran and iranian morality police -- cool. If you can't stand movies that don't have a clear Hollywood plot -- if you don't like art house movies -- if you get bored or tired in slow movies -- don't rent it.
It's on the top ten for Iranian film which means definitely get it. Great film. Great photography. Lots of teheran and iranian morality police -- cool. If you can't stand movies that don't have a clear Hollywood plot -- if you don't like art house movies -- if you get bored or tired in slow movies -- don't rent it.