Roy Knable (John Ritter) loves watching television so much that his marriage is falling apart because of it. When a door-to-door salesman shows him a high-tech remote control, Ritter listens to his pitch, and buys into it when he discovers that it's for a new television and satellite system that offers 666 channels of programming--much of which is not available anywhere else. However, the salesman may not have been what he seemed to be, and Knable soon discovers that he may have agreed to a contract that obligated him to give up more than money.
Oh, how I loved this film! Director Peter Hyams and the writing crew of Tom S. Parker, Jim Jennewein and Richard Siegel definitely had my number on this one. Stay Tuned is a very clever horror comedy that is extremely underrated and perhaps was a bit mismarketed. Although I'm a huge horror fan, and love horror comedies, I'd never heard of this one before (however, later I did find references to it in a couple horror sources, so it seems it wasn't completely overlooked by the industry and fans). But the horror aspect of the film doesn't appear to be advertised anywhere. I watched this on HBO's Family Channel. Even though Knable's son is important to the plot and there are strong fantasy aspects, this is not really a family film. Not that kids might not like the film, but they'd have to be kids who like horror (comedies) and whose parents let them watch horror (comedies). Enjoyment of the film is also helped by having a familiarity with the material that is being spoofed, and the references are broad enough that it would take years of experience to acquire that familiarity.
Why spoofed? Well, on one level, Stay Tuned is just a long series of crafty takes on film and television programs and genres, giving many well-known classics a more immediate horror twist--immediate because they all put our heroes, Knable and his wife Helen (Pam Dawber), in peril in some way. There are many more subtle jokes, as well, and the film even pokes fun at film students/film geeks. The spoofs range from silly to poignant, and can be as quick as a title or as long as ten minutes or so. One of the best is a classic Warner Brothers-styled animated segment. The style and the quality should not be surprising, as Chuck Jones designed and supervised the animation.
Under different hands, maybe this material wouldn't be quite as good as it is. Hyams' direction is spot-on throughout the film, the script (including the dialogue) is very intelligent, and in addition to Ritter and Dawber being as good as I've seen them, Stay Tuned also features Jeffrey Jones (one of my favorite character actors) and Eugene Levy. Both are fantastic.
Stay Tuned deserves much wider recognition. It is funny, suspenseful and seems to draw from a well of endless inventiveness. It's as good as any other horror comedy I've seen. There is also a surface message of turning off the television and living your life, which is a worthwhile sentiment, but perhaps a harder sell when it is packaged in a film as excellent as this.
A 10 out of 10 from me.
Oh, how I loved this film! Director Peter Hyams and the writing crew of Tom S. Parker, Jim Jennewein and Richard Siegel definitely had my number on this one. Stay Tuned is a very clever horror comedy that is extremely underrated and perhaps was a bit mismarketed. Although I'm a huge horror fan, and love horror comedies, I'd never heard of this one before (however, later I did find references to it in a couple horror sources, so it seems it wasn't completely overlooked by the industry and fans). But the horror aspect of the film doesn't appear to be advertised anywhere. I watched this on HBO's Family Channel. Even though Knable's son is important to the plot and there are strong fantasy aspects, this is not really a family film. Not that kids might not like the film, but they'd have to be kids who like horror (comedies) and whose parents let them watch horror (comedies). Enjoyment of the film is also helped by having a familiarity with the material that is being spoofed, and the references are broad enough that it would take years of experience to acquire that familiarity.
Why spoofed? Well, on one level, Stay Tuned is just a long series of crafty takes on film and television programs and genres, giving many well-known classics a more immediate horror twist--immediate because they all put our heroes, Knable and his wife Helen (Pam Dawber), in peril in some way. There are many more subtle jokes, as well, and the film even pokes fun at film students/film geeks. The spoofs range from silly to poignant, and can be as quick as a title or as long as ten minutes or so. One of the best is a classic Warner Brothers-styled animated segment. The style and the quality should not be surprising, as Chuck Jones designed and supervised the animation.
Under different hands, maybe this material wouldn't be quite as good as it is. Hyams' direction is spot-on throughout the film, the script (including the dialogue) is very intelligent, and in addition to Ritter and Dawber being as good as I've seen them, Stay Tuned also features Jeffrey Jones (one of my favorite character actors) and Eugene Levy. Both are fantastic.
Stay Tuned deserves much wider recognition. It is funny, suspenseful and seems to draw from a well of endless inventiveness. It's as good as any other horror comedy I've seen. There is also a surface message of turning off the television and living your life, which is a worthwhile sentiment, but perhaps a harder sell when it is packaged in a film as excellent as this.
A 10 out of 10 from me.