Based on the then-popular novel by Charles Nordhoff and James Norman Hall, the 1935 MUTINY ON THE BOUNTY is among a series of legendary films of the 1930s that have been repeatedly celebrated for cinematic achievement. And small wonder: the film has a host of powerful assets.
The single most obvious among these is the star power involved: led by two Oscar-winning stars, the critically formidable Charles Laughton and the incredibly popular Clark Gable, the cast reads like a Who's Who of mid-1930s male actors ranging from leading man Franchot Tone to the memorable character actor Donald Crisp. In a visual sense, the film is also a knockout: filmed on location in a full-size replica of the Bounty, it set a new standard for capturing the sea on film. And the story itself is powerful, the tale of the battle between the cruel and autocratic Bligh and the humane and populist Fletcher Christian. Taken together, it makes for a powerful ride.
Still, some viewers may not find MUTINY ON THE BOUNTY all it is cracked to be. Then as now, Hollywood was less interested in getting the facts right than in telling a good story--and from a factual point of view the film is perhaps twenty percent accurate and eighty percent nothing more nor less than historical tarradiddle. That is no real hindrance per se; after all, we're not watching a documentary. But seen from a modern standpoint the cast now feels somewhat problematic.
Charles Laughton was so critically well regarded that he received star billing over Clark Gable for the film, and seen today his performance is easily the single most powerful in the entire film. Autocratic, brilliant, and immediately and increasingly unlikable, he drives the film from start to finish--and it is here, really, in which most of the film's historical accuracy resides. The rest of the cast, however, is extremely Hollywood. Clark Gable, Franchot Tone and all the rest give an excellent show, full of power and drive--but you never for a moment forget that they are indeed Hollywood stars and not members of the British Navy.
This is very much a "big" film in the MGM tradition, often brilliant, often memorable, and often setting new standards for the motion picture industry. And when regarded from that point of view it is extremely, extremely entertaining. But it may also be a film whose power has slightly faded with the passing of time.
Gary F. Taylor, aka GFT, Amazon Reviewer
The single most obvious among these is the star power involved: led by two Oscar-winning stars, the critically formidable Charles Laughton and the incredibly popular Clark Gable, the cast reads like a Who's Who of mid-1930s male actors ranging from leading man Franchot Tone to the memorable character actor Donald Crisp. In a visual sense, the film is also a knockout: filmed on location in a full-size replica of the Bounty, it set a new standard for capturing the sea on film. And the story itself is powerful, the tale of the battle between the cruel and autocratic Bligh and the humane and populist Fletcher Christian. Taken together, it makes for a powerful ride.
Still, some viewers may not find MUTINY ON THE BOUNTY all it is cracked to be. Then as now, Hollywood was less interested in getting the facts right than in telling a good story--and from a factual point of view the film is perhaps twenty percent accurate and eighty percent nothing more nor less than historical tarradiddle. That is no real hindrance per se; after all, we're not watching a documentary. But seen from a modern standpoint the cast now feels somewhat problematic.
Charles Laughton was so critically well regarded that he received star billing over Clark Gable for the film, and seen today his performance is easily the single most powerful in the entire film. Autocratic, brilliant, and immediately and increasingly unlikable, he drives the film from start to finish--and it is here, really, in which most of the film's historical accuracy resides. The rest of the cast, however, is extremely Hollywood. Clark Gable, Franchot Tone and all the rest give an excellent show, full of power and drive--but you never for a moment forget that they are indeed Hollywood stars and not members of the British Navy.
This is very much a "big" film in the MGM tradition, often brilliant, often memorable, and often setting new standards for the motion picture industry. And when regarded from that point of view it is extremely, extremely entertaining. But it may also be a film whose power has slightly faded with the passing of time.
Gary F. Taylor, aka GFT, Amazon Reviewer