Sin City is a collection of interweaving stories all based in the corrupt, crime infested hell-hole that is Basin City. The three main stories revolve around Marv (Mickey Rourke), who is seeking the murderer of a beautiful woman; Dwight (Clive Owen) an ex-photographer who accidentally kills a cop, and Hartigan (Bruce Willis) a retiring policeman who is convicted of a crime he didn't commit. All the stories are based on the graphic novels "Sin City", "The Big Fat Kill" and "That Yellow Bastard", written and illustrated by Frank Miller.
It's difficult to be more precise about the storyline without divulging the secrets to the plot that you have to pay money to learn. The story is multidimensional which is incredible for a concept that began in only two dimensions. It captures much of the graphic novel's (which is just a really long comic book) look and feel. The characters all seem to be drawn and the colors are basically black and white as if sketched with a pencil. The movie has a strong 1940's film-noir presence. Quentin Tarantino was a guest director. As you watch the movie you can almost guess which scenes he shot as they have his signature. It is similar in the bazaar to Pulp Fiction. Fans and Foes may have a similar response.
The sex was much more understated than I expected but they more than made up for it with the wanton violence. Too much blood and gore. But like Pulp Fiction, all the violence was plot driven. Whether you like the movie when the credits are rolling and the house lights come up, I can assure you it will both grab and hold your attention from beginning to end. I don't want to be sexist and call this a guy's movie. But it's a fair statement.
It's difficult to be more precise about the storyline without divulging the secrets to the plot that you have to pay money to learn. The story is multidimensional which is incredible for a concept that began in only two dimensions. It captures much of the graphic novel's (which is just a really long comic book) look and feel. The characters all seem to be drawn and the colors are basically black and white as if sketched with a pencil. The movie has a strong 1940's film-noir presence. Quentin Tarantino was a guest director. As you watch the movie you can almost guess which scenes he shot as they have his signature. It is similar in the bazaar to Pulp Fiction. Fans and Foes may have a similar response.
The sex was much more understated than I expected but they more than made up for it with the wanton violence. Too much blood and gore. But like Pulp Fiction, all the violence was plot driven. Whether you like the movie when the credits are rolling and the house lights come up, I can assure you it will both grab and hold your attention from beginning to end. I don't want to be sexist and call this a guy's movie. But it's a fair statement.