I can think of only one other Austrian movie (or German, for that matter) that dives so deep into social deserts and black parts of the common human, and that is "Hundstage", which could easily be described as "social porn" and is equivalent to Todd Solondz' work, yet darker and more dire. In Muttertag, it's more satire, but with many more levels, and none of them pleasant. You live with a group of people from a lower social level, the Neugebauers in the center of this strange and wicked community, living in a notorious apartment estate in Vienna. Their part of town is satirically portrayed like one of the antechambers of hell - for Austrian standards - a socialistic community of concrete and locked doors, where everybody tries to seclude himself and his dark secrets from everyone else. No Walzer, no Mozart, no Viennese courtesy, no post-monarchistic postcard nostalgia and no hope. Everyday life seems to throw everything at the Neugebauers to bring them down, and everything unfolds right before Mother's Day, which provides a certain forced traditional background for this tour-de-force, like Christmas being a battlefield for family conflicts. And just like at Christmas the private tension induces riot-like scenes in the community, in the supermarket, at church, at the gas station and in school. Satirical portrait with some of the finest Austrian comedians and actors, that will offer a haunting, outlandish and desperate experience for non-Austrians and a mirror of the soul for the locals. Remember, people of Vienna, "another social layer" does not mean that these people aren't living nearby, and their issues apply to you as well, regardless of your social and educational background.
Review of Mother's Day
