It is my humble opinion that Bring Me the Head of Alfredo Garcia comes as close to capturing the maddening drive of man as any movie. That is to say that it sits at the same table as the greats, perhaps across the way from Citizen Kane or Raging Bull. If you contest this it is perhaps only because the film is not as beautiful, not as magnificent, as the rest of its ballpark. I would argue that that is partially the point.
Bennie's quest is stripped to its core so that the brutality of the film is expressive of Bernie himself. There is not a violent film with more validity for its actions than this one, it is the maddening human mind which causes deaths here. Peckinpah shows us everything that is important in this man's life and then shows us what a man is capable of doing once all that is taken away. The difference between this film and other similar films is perhaps that the movie has such humble beginnings. We build ourselves inside of Bennie. When we first meet him he is casually and happily playing the piano, quietly dreaming of settling into a different kind of love. We share a quiet picnic with him, witness his wedding proposal.
Perhaps also there has never been a chaotic killing spree that has seemed this environmental. While usually the hero goes on a rampage in a way that is appropriately heroic itself, Bennie is no hero. He is a man forced into a situation by the world around him, as it seems he is always forced into situations. Since he is never the man he wants to be it seems natural that he would become the kind of man that is the amalgamation of love and hate.
All the emotion a movie in this genre could handle.
Bennie's quest is stripped to its core so that the brutality of the film is expressive of Bernie himself. There is not a violent film with more validity for its actions than this one, it is the maddening human mind which causes deaths here. Peckinpah shows us everything that is important in this man's life and then shows us what a man is capable of doing once all that is taken away. The difference between this film and other similar films is perhaps that the movie has such humble beginnings. We build ourselves inside of Bennie. When we first meet him he is casually and happily playing the piano, quietly dreaming of settling into a different kind of love. We share a quiet picnic with him, witness his wedding proposal.
Perhaps also there has never been a chaotic killing spree that has seemed this environmental. While usually the hero goes on a rampage in a way that is appropriately heroic itself, Bennie is no hero. He is a man forced into a situation by the world around him, as it seems he is always forced into situations. Since he is never the man he wants to be it seems natural that he would become the kind of man that is the amalgamation of love and hate.
All the emotion a movie in this genre could handle.