After rich housewife Peggy Gravel (Mink Stole) accidentally murders her husband and runs away with her overweight black maid Grizelda Brown (Jean Hill) to Mortville, a community of outcasts and criminals ruled by Queen Carlotta (Edith Massey), Desperate Living starts losing the power of John Waters's greatest merit--attack on the norm of the American value. For a Waters film, the more fictitious and metaphysical its format is, the less effective the outcome of his attack is; that's why realistic (for Waters) Female Trouble is intense but fairytale-ish Desperate Living is not. Freaky actors screaming and doing nonsense are amusing to watch, but, needless to say, missing irreplaceable Divine is a significant disadvantage for early Waters.