If being multi-layered and multi-directional is a recent trend of the gay and lesbian cinema, Ehan Mao represents it very well; such a mainstream Hollywood format as a crime thriller frames such a specific argument as a struggle of gay Chinese-American boy Ethan Mao (Jun Hee Lee) against his family members. The excellence on the former must help the film to gain larger audience. The excellence on the latter is enhanced by the dynamics of his family members: successful and confident father, controlling step-mother who is a former actress, "good-boy" older step-brother, and gay-ish younger brother. Along with Ethan's lover Remigio (Jerry Hernandez), all characters are portrayed more or less positively--"feeling-better" may not be needed for this film's viewers; it may even reduce the film's intensity and may make the argument unclear.
One flashback sequence is inserted at a very precise moment, seemingly to confuse the audience--when Ethan and Remigio fall asleep while overseeing Ethan's family at night in the real world, a flashback of their waking up in their apartment appears. This makes the spectators wonder, at least for a moment, if what has been going on is Ethan's dream; if intentional, it is too gimmicky and unnecessary.
One flashback sequence is inserted at a very precise moment, seemingly to confuse the audience--when Ethan and Remigio fall asleep while overseeing Ethan's family at night in the real world, a flashback of their waking up in their apartment appears. This makes the spectators wonder, at least for a moment, if what has been going on is Ethan's dream; if intentional, it is too gimmicky and unnecessary.