planktonrules Review of Three Colors: Blue

Three Colors: Blue (1993)

despite its being depressing, hang on--it does have a good payoff at the conclusion

[8/10 · 13 July 2005]

I think in general my tolerance for super-depressing films is less than some film connoisseurs. I have found that some films (such as some of Bergman's) are too depressing to merit the high praise they receive. It's almost like to be considered a sophisticated, you have to love depressing and occasionally pointless films. I began to feel this way towards this film early on--thinking to myself "oh, no,...another dreadfully depressing art film". However, I was VERY pleased when despite the incredibly somber pacing, music and plot, the movie did not remained mired in misery and showed growth and change--and NOT in an overly idealistic or Hollywood way, either. Instead, the depression and existence of the lead, Binoche, seemed very real and I think this is the best of her films I have seen. In fact, I was a bit hesitant to watch the movie, as I was NOT a fan of two of her most famous films, The English Patient and The Unbearable Lightness of Being. These two films were also quite depressing and cold, but the movie Blue seemed to engage me more--perhaps because I could easily see myself or someone I love in Binoche's position following the deaths of her family.

At first, she decides the best way to cope is complete denial and repression--forget about the past by extinguishing all memories--including selling all her possessions and running from her past life. However, despite her best efforts, she finds herself unable to completely keep out the past and is forced to deal with her husband's legacy (though the movie makes a mistake not to really address the death of Binoche's child very well).

For psychology students, this movie is an excellent example of defense mechanisms (Freud) or the grieving process (Elizabeth Kübler-Ross).