It's a shame that more people who like this movie have not yet commented on it. If you do google the film, however, you will find some more intelligent responses to the film, even ones which are critical of the film's ending. It's clearly a love it or hate film, but I find the lack of any intellectual engagement with film's themes demonstrated in these comments a bit disheartening. If the IMDb is a democracy, people should still think before they write something. One comment in particular seems like it might have been written by a person who may not have even seen the film. I did like and have seen it, so I'll offer my two dimes worth.
I think it is an unusually unfettered and savage critique about the hypocritical way we represent and deal with casual brutality in our society, and the kind of selfish values which are currently in operation. The small coastal town in which the film is a microcosm used to explore and exemplify broader trends in Britain and the West generally. For example, this film talks about the simplistic and dishonest way in which the British tend to view both contemporary and past military conflicts. Through scenes with a well-intentioned, lefty media studies teacher and then later through the juxtaposition of WWII newsreel footage with a savage ultra-violence, we are asked to question the standard version of the Second World War as a glorious fight between good and evil. Through similar juxtapositions of political speech-making and ultra-violence we are also asked to question the official line on the Iraq conflict. In it is totality, (e.g. through its music - Elgar-Birtwhistle - or its downward spiral narrative) the film systematically asks us to question all manner of lazy assumptions about Britannia and the British, and what both supposedly stand for. In a wider sense, I feel it effectively questions our assumptions about civilized people and nations being essentially good.
I also think the film-making is generally excellent, particularly for a first film. The boys in it are very convincing, and the film is a good watch even if a person misses some of its thematic concerns. Only one of two of the side characters are a bit less convincing, it does have a lengthy build-up. It's very, very different from mot British cinema of today which is generally sentimental, conservative and gratingly populist or else falls into the no-longer radical or interesting category of politically correct realism. This is a film which dares to be different, and challenges its audience with its stylish long takes and its uneasy combination of terrible violence and savage satire. If you're not squeamish or intellectually lazy, it's also very compelling. It never falls into the art-house ponderous-dull trap. Its says interesting things about morality and politics without being didactic or using self-consciously high-brow dialogue.
I think it is an unusually unfettered and savage critique about the hypocritical way we represent and deal with casual brutality in our society, and the kind of selfish values which are currently in operation. The small coastal town in which the film is a microcosm used to explore and exemplify broader trends in Britain and the West generally. For example, this film talks about the simplistic and dishonest way in which the British tend to view both contemporary and past military conflicts. Through scenes with a well-intentioned, lefty media studies teacher and then later through the juxtaposition of WWII newsreel footage with a savage ultra-violence, we are asked to question the standard version of the Second World War as a glorious fight between good and evil. Through similar juxtapositions of political speech-making and ultra-violence we are also asked to question the official line on the Iraq conflict. In it is totality, (e.g. through its music - Elgar-Birtwhistle - or its downward spiral narrative) the film systematically asks us to question all manner of lazy assumptions about Britannia and the British, and what both supposedly stand for. In a wider sense, I feel it effectively questions our assumptions about civilized people and nations being essentially good.
I also think the film-making is generally excellent, particularly for a first film. The boys in it are very convincing, and the film is a good watch even if a person misses some of its thematic concerns. Only one of two of the side characters are a bit less convincing, it does have a lengthy build-up. It's very, very different from mot British cinema of today which is generally sentimental, conservative and gratingly populist or else falls into the no-longer radical or interesting category of politically correct realism. This is a film which dares to be different, and challenges its audience with its stylish long takes and its uneasy combination of terrible violence and savage satire. If you're not squeamish or intellectually lazy, it's also very compelling. It never falls into the art-house ponderous-dull trap. Its says interesting things about morality and politics without being didactic or using self-consciously high-brow dialogue.