7/10
Ride 'em Cowboy!
10 February 2006
Warning: Spoilers
Though slow moving at times, overall "The Cowboy and the Lady" is an entertaining romantic comedy with a twist, a high society lady whose father is about to throw his hat into the ring as a candidate for President falls head over heels in love with a rodeo cowboy. There are two scenes that really pack a comedic wallop. One is aboard the ship from Florida to Galveston, Texas, when 'Stretch' Willoughby (Gary Cooper) compares horses to people while wooing Mary Smith (Merle Oberon) when suddenly a crew member starts singing an outlandish song, "Give a man a horse he can ride." It becomes more outrageous when Stretch joins in and Mary ends the tune with a bass vocal.

The other is when Stretch pretends to be entertaining his beloved wife, Mary, in their new house with only the framework completed. Cooper shows a hidden talent for pantomime that is very good indeed. Before he knows it his partners played by a bow-legged Walter Brennan and Fuzzy Knight along with the carpenters are invited in and play along with Stretch's fantasy. The spell is broken with the appearance of Ma Hawkins who brings everyone back to reality by delivering a dreadful telegram.

There is one telling part near the end when Stretch searching for his wife appears as an unwanted and unwelcome guest at a political dinner. The big-wigs spout several false concepts and prejudices that exist concerning the American cowboy. Their ignorance is further denoted when Oliver Wendell Henderson attempts to show his knowledge of the west by declaring Montana to be the Lone Star State. Stretch carefully corrects Henderson, then proceeds to shoot them all down with his rebuttal.

There were several cooks sirring the broth when it came to writing the sometimes witty script. Amongst the writers were Dorothy Parker, Leo McCarey, Anita Loos, and some say Garson Kanin.
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