There's a lot of promise in R-Point, but very little fulfillment of any of it. I suppose the reason we don't see too many meldings of the war and supernatural horror genres is that the reality of war is infinitely more horrific than any "boo! a ghost!" plot line any screenwriter could cook up. That doesn't mean it's impossible to make a good war/horror movie. Still, what examples I've seen in the past -- The Bunker, The Keep, Below -- have been sad disappointments, relying on the genre's clichés rather than any narrative depth to evoke horror.
R-Point wants to explore such depth, putting a platoon of men in a situation where they question their very sanity. But ultimately, it falls back on horror movie clichés -- yes, there's even a black-haired ghost woman. Still, there are several good scenes, and enough hints at what a good movie this could have been, that it's worth watching at least once for hardcore Asian-horror fans. It's the kind of movie where you sit around after it was over and talk about how awesome it would have been if only they'd done X or Y.
The first half of the movie is reasonably strong. A Korean platoon in Vietnam that vanished six months before our story starts, in a remote area designated R-Point, has suddenly started radioing in to HQ. Another platoon is whipped together to find them. Trekking out to the eerie location, they set up base camp in an abandoned mansion and begin reconning the area. Promptly weirdness starts occurring. In the best scene, one soldier gets separated from his search party, only to find them crossing a field...but is it them? In another, a late night visit from a passing American platoon divulges some of R-Point's backstory, and sets up a creepy reveal later in the film.
Up to this point, atmosphere is very disturbing and there is a lot of tension. Unfortunately it begins to weaken when little to no explanation is ever satisfactorily given for the weird goings-on. I forget where I read it, but someone once said that any genre movie can be forgiven its worst failings as long as it follows the "Awesome!" rule -- that it has at least one knockout scene that makes you say, "Okay, _that_ was awesome!" R-Point has no such scene.
The soldiers begin fighting amongst one another, but you don't really know them that well, so it's hard to understand why. Most of them are one-dimensional soldier stereotypes (the scared rookie, the guy who can't wait to get home to take his kid to the zoo so we know he's gonna die early, the gruff sarge whom many of the grunts trust more than the green lieutenant), so we don't feel any sense of personal stake in their fate. Worse still is the director's choice to throw in the occasional green-tinted ghost POV shot. It begins early in the movie and completely wrecks the mood every time, because it's such an obvious cheap horror movie device. What are we supposed to think? "Ooooo, scarrrrrry, they're being watched from behind a tree by a ghost!" Uhh, sorry, doesn't work. For one thing, if I were a ghost...why would I hide behind a tree?
Ultimately, the movie just doesn't pay off. It's a shame, because there are hints that with a few more rewrites, this could have been a really amazing combination of the real-life horror of Platoon or Apocalypse Now, and the "who can you trust?" themes of Body Snatchers or John Carpenter's The Thing. Watch it for yourself, and I bet you come up with several better ways the story could have played out.
R-Point wants to explore such depth, putting a platoon of men in a situation where they question their very sanity. But ultimately, it falls back on horror movie clichés -- yes, there's even a black-haired ghost woman. Still, there are several good scenes, and enough hints at what a good movie this could have been, that it's worth watching at least once for hardcore Asian-horror fans. It's the kind of movie where you sit around after it was over and talk about how awesome it would have been if only they'd done X or Y.
The first half of the movie is reasonably strong. A Korean platoon in Vietnam that vanished six months before our story starts, in a remote area designated R-Point, has suddenly started radioing in to HQ. Another platoon is whipped together to find them. Trekking out to the eerie location, they set up base camp in an abandoned mansion and begin reconning the area. Promptly weirdness starts occurring. In the best scene, one soldier gets separated from his search party, only to find them crossing a field...but is it them? In another, a late night visit from a passing American platoon divulges some of R-Point's backstory, and sets up a creepy reveal later in the film.
Up to this point, atmosphere is very disturbing and there is a lot of tension. Unfortunately it begins to weaken when little to no explanation is ever satisfactorily given for the weird goings-on. I forget where I read it, but someone once said that any genre movie can be forgiven its worst failings as long as it follows the "Awesome!" rule -- that it has at least one knockout scene that makes you say, "Okay, _that_ was awesome!" R-Point has no such scene.
The soldiers begin fighting amongst one another, but you don't really know them that well, so it's hard to understand why. Most of them are one-dimensional soldier stereotypes (the scared rookie, the guy who can't wait to get home to take his kid to the zoo so we know he's gonna die early, the gruff sarge whom many of the grunts trust more than the green lieutenant), so we don't feel any sense of personal stake in their fate. Worse still is the director's choice to throw in the occasional green-tinted ghost POV shot. It begins early in the movie and completely wrecks the mood every time, because it's such an obvious cheap horror movie device. What are we supposed to think? "Ooooo, scarrrrrry, they're being watched from behind a tree by a ghost!" Uhh, sorry, doesn't work. For one thing, if I were a ghost...why would I hide behind a tree?
Ultimately, the movie just doesn't pay off. It's a shame, because there are hints that with a few more rewrites, this could have been a really amazing combination of the real-life horror of Platoon or Apocalypse Now, and the "who can you trust?" themes of Body Snatchers or John Carpenter's The Thing. Watch it for yourself, and I bet you come up with several better ways the story could have played out.