9/10
Stunning portrayal of Shakespeare's romantic tale of woe
3 March 2006
If you're a fan of the Bard's timeless tale of forbidden young love, and even if you're not, then you're in for a treat. Franco Zefferelli's spectacular cinematic version of Romeo and Juliet eclipses all others. Don't even bother with Leonardo DiCaprio or any of the other renditions that pale by comparison. This is the real Romeo and Juliet as Shakespeare himself, lived he in our era,would have orchestrated its filming.

From the opening scenes at Capulet's ball, you'll be transported from this time and place to Renaissance Verona. It's a real period piece and worth watching for the sets and costumes alone. Stunning cinematography with sweeping colorful panoramas...the period ball, the dueling and crowd scenes, the morbid tomb...

The young actors, Leonard Whiting at 17 and Olivia Hussey at 15, are the age Shakespeare intended and magnificently portray the "star crossed lovers" with very believable chemistry. Olivia's Juliet has the right mix of youthful innocence and passionate intensity. With her masses of long black tresses, no wonder Romeo declares "she doth teach the torches to burn bright". The balcony scene, brilliantly filmed, rings true and the wedding night (actually morning after) is touchingly and tastefully done, even with its hint of nudity for the teenage stars.

The movie has a superb supporting cast, including John McEnry as Romeo's hot tempered and humorous friend, Mercutio, and Michael York as Juliet's rather despicable cousin, Tybalt. Personally, I find Mercutio's death the most moving in all Shakespeare. Although the feuding Montague and Capulet parents are supposed to be the villains of the piece, Lord Capulet actually seems quite sympathetic in his moving portrayal of grief in the loss of his daughter.

No spoiler warning here. This quintessential tale of doomed love is familiar to everyone. However, these stars give such compelling performances that you'll be longing for a different ending, riveted to your seat praying the messages will get through properly this time. Whiting and Hussey deliver such grief and passion in the final tomb scene, you'll experience this tragedy as never before.

Apart from omitting Romeo's killing of Paris (my sole complaint), the movie is true to the major events of the play. And it's hard to fault the dialogue. Despite occasional omissions and minor alterations, it was written by the English language's foremost expert. My son, normally an enthusiast of Shakespeare's tragedies, claims with some justification, that this particular play is a silly, unbelievable tale, though told with absolute brilliance. Even if you're not normally a Shakespeare buff, don't miss this amazing movie. Seeing his timeless "tale of woe" brought to life so compellingly and in such a magnificent manner might just turn you into one.
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