7/10
The magic of the movies
5 March 2006
Warning: Spoilers
Cinema Paradiso is a very simple movie with one particular theme that makes it special: The magic of the movies. The storyline follows the path of a famous Italian director and traces his career back to his early childhood days, when he spent countless hours with his adult friend Alfredo in the projection room of the little cinema in their village. The two of them grow quite close, and it is fair to say that Alfredo becomes a kind of real father for little Toto, whose natural father died in World War II. After a horrible incident that leaves Alfredo blind, Toto himself becomes the projectionist, a job he performs for many years.

The movie further extensively elaborates on Toto's first love and on many subtle themes, such as Alfredo fatherly guidance and Toto's time in the army. Throughout the proceedings of the story, the magic of movies plays an important part. The inspiration and impact on ordinary people in those early days of the cinema, the way people were emotionally stirred and how they participated actively with cheers, laughters and even tears, all these aspects are transformed into the movie in a way that is maybe a bit over-subscribed and occasionally a bit corny, but very authentic and with a marked nostalgic edge.

Cinema Paradiso is a very subtle and slow movie. It is a typical Italian movie in terms of pace and camera work. I was occasionally reminded of Once Upon A Time in America and Martin Scorsese's narrative style. It is a very nostalgic movie with lots of sad moments that make you aware of the passing of time. At the same it is the story of Toto and his relationship with Alfredo, who was more a father than a friend to him. It is maybe a bit two long, and some moments could have been made more interesting and more helpful for a quicker proceeding of storyline developments. 8/10.
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