Au Revoir, Les Enfants (1987) ****
What is this film? Is it just a deeply moving, real film? Is it something more - an exorcism of sorts? Louis Malle's 1987 masterpiece 'Au Revoir, Les Enfants' has had much said about it due to its personal nature for Malle. When the movie played at Telluride, Malle cried, tears streaming down his cheeks. I knew the first time i saw the film that it was autobiographical, so perhaps this helped make the film affect me a little more strongly. Whatever the case, Malle has created a heart breaking work of genius.
In a Catholic boarding school during the Nazi occupation of France, Julien Quietin, played by Gaspard Manesse as the character based around Malle, is no ordinary student. He is intelligent and different from the others. The school is also no ordinary boarding school- it has a secret. A new student arrives at the school one day, Jean Bonnet (Raphael Fejtö) and becomes a sort of intellectual rival to Julien. After some early hostilities the boys begin to connect, and eventually become good friends.
Malle does not rely on overly dramatic sequences where not necessary as a way to build up the plot. Instead he shows us the monotonous daily routines of life at the school: prayers, mass, classes, music and exercise classes, and even air-raids.
Eventually, Julien comes to realize that his new friend is a Jew. He is too young to really understand what the big deal is. What is the problem with Jews he later asks? During parents visitation, Julien takes Jean along with his family as Jean has not seen his father in two years, or heard from his mother in months. While at the restaurant, French collaborators come in and begin harassing a long time customer because he is Jewish in a 'No-Jews-allowed' restaurant. Things seem like they are about to explode for the young boys but to their, and our, surprise the collaborators are thrown out by some German soldiers who are eating at the next table over.
We see the fear in Jean's eyes every time the Germans come near, and in one intimately close instance after the boys had been lost in the woods and stumbled upon a road and unrealizingly flag down a car driven by Nazi soldiers, Jean's turn to actions as he attempts to run away only to be caught. The soldiers do not realize that Jean is a Jew, or that the priest has been hiding Jews at his school. After all, why would they? They drive the boys back to the school.
These scenes work like magic on screen. The actions and words are hauntingly real and often naive. One day the Gestapo arrives looking for a Jean Kippelstein, and in a moment of unconscious reaction, Julien unwittingly outs his friend. The Jewish students are rounded up, and the priest, Father Jean, is taken away with them and the school is now to be closed.
Louis Malle has said that he wanted to make this film a long time ago, but could not find the strength. The film is not a direct parallel to the real events, but perhaps more a parallel to Malle's memories and guilt about the incidence. The end result on film is a stunningly beautiful and incredibly touching portrait of friendship, guilt, frustration and anger and I'm sure it worked wonders for Malle as an exorcism of his past.
Sometimes there are moments we almost don't realize take place, and often they can be some of the most important in our lives, and 'Au Revoir, Les Enfants' is a haunting testament to how these moments can change your life, for better or for worse.
4/4
What is this film? Is it just a deeply moving, real film? Is it something more - an exorcism of sorts? Louis Malle's 1987 masterpiece 'Au Revoir, Les Enfants' has had much said about it due to its personal nature for Malle. When the movie played at Telluride, Malle cried, tears streaming down his cheeks. I knew the first time i saw the film that it was autobiographical, so perhaps this helped make the film affect me a little more strongly. Whatever the case, Malle has created a heart breaking work of genius.
In a Catholic boarding school during the Nazi occupation of France, Julien Quietin, played by Gaspard Manesse as the character based around Malle, is no ordinary student. He is intelligent and different from the others. The school is also no ordinary boarding school- it has a secret. A new student arrives at the school one day, Jean Bonnet (Raphael Fejtö) and becomes a sort of intellectual rival to Julien. After some early hostilities the boys begin to connect, and eventually become good friends.
Malle does not rely on overly dramatic sequences where not necessary as a way to build up the plot. Instead he shows us the monotonous daily routines of life at the school: prayers, mass, classes, music and exercise classes, and even air-raids.
Eventually, Julien comes to realize that his new friend is a Jew. He is too young to really understand what the big deal is. What is the problem with Jews he later asks? During parents visitation, Julien takes Jean along with his family as Jean has not seen his father in two years, or heard from his mother in months. While at the restaurant, French collaborators come in and begin harassing a long time customer because he is Jewish in a 'No-Jews-allowed' restaurant. Things seem like they are about to explode for the young boys but to their, and our, surprise the collaborators are thrown out by some German soldiers who are eating at the next table over.
We see the fear in Jean's eyes every time the Germans come near, and in one intimately close instance after the boys had been lost in the woods and stumbled upon a road and unrealizingly flag down a car driven by Nazi soldiers, Jean's turn to actions as he attempts to run away only to be caught. The soldiers do not realize that Jean is a Jew, or that the priest has been hiding Jews at his school. After all, why would they? They drive the boys back to the school.
These scenes work like magic on screen. The actions and words are hauntingly real and often naive. One day the Gestapo arrives looking for a Jean Kippelstein, and in a moment of unconscious reaction, Julien unwittingly outs his friend. The Jewish students are rounded up, and the priest, Father Jean, is taken away with them and the school is now to be closed.
Louis Malle has said that he wanted to make this film a long time ago, but could not find the strength. The film is not a direct parallel to the real events, but perhaps more a parallel to Malle's memories and guilt about the incidence. The end result on film is a stunningly beautiful and incredibly touching portrait of friendship, guilt, frustration and anger and I'm sure it worked wonders for Malle as an exorcism of his past.
Sometimes there are moments we almost don't realize take place, and often they can be some of the most important in our lives, and 'Au Revoir, Les Enfants' is a haunting testament to how these moments can change your life, for better or for worse.
4/4