"Lord of the Rings: The Return of the King" is a visually stunning reach into the imagination. It is a deep and complex journey into the unknown, the dangerous and the inescapable. The previous two installments, "The Fellowship of the Rings", and "The Two Towers" present elements in which this film connects them together to quietly and subtly present nostalgia as the journey finally ends. The "Lord of the Rings" trilogy is by far the most cinematically beautiful trilogy ever created, so it's no surprise that this final chapter in the saga goes out with a bang. This is a tale about courage, survival, fate, and friendship. More pleasant to watch than the previous film, it is a bold ending to a bold adventure.
In this final installment, Aragorn (Viggo Mortensen) must realize his destiny as the king of men and gather his army for the final fight of Middle Earth. Meanwhile, Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Voiced by Andy Serkis), formerly known as Smeagol, lurk through the dark cities and mountains in order to reach Mount Doom and destroy the ring once and for all. Complications arise as Frodo suspects Sam of betrayal and theft, while Gollum plans to murder Frodo and take the ring back. Gandalf (Ian McKellen) rides with Pippin (Billy Boyd) to Minas Tirith to warn the humans of the attack, while Arwen (Liv Tyler) realizes she is to become a mortal and have a child with Aragorn. The story comes to its final climax as Frodo reaches the core of Mount Doom and Aragorn, together with his army leads the Mount Doom army away to set a clear path for Frodo.
From minute one, you get sucked into the insanely arousing visuals. The stellar special effects and the epic battles that include incredibly intricate fighting scenes, along with stellar sound, to make the epic battle realistic and fast. The most complex and stunning CGI creation is the creature Gollum (who we see transform from human to monster in the first 10 minutes of the movie). His fish-eyes move around and his body language sways and we forget that he isn't real. And as he attempts to steal the ring and frame Sam, that feeling sets in as though we've been watching a villain kill the main protagonist. In some ways, he has more character traits than a lot of the human actors in the movie. For example, when he talks to himself while looking at his own reflection in the water, he exhibits countless emotions and we know the torment he is experiencing.
Peter Jackson combines CGI and real settings but we never know it. We cannot tell whether a pathway is computer generated or built, whether a door that leads to a lava pit is trick photography or just a different setting. He is able to direct in such a way that the city of Minas Tirith looks both impossible to build, but very convincing. Even Mount Doom seems realistic and we question whether it is a real volcano or just another one of Jackson's genius visions. Not to mention the final battle of Middle Earth, we're constantly thrown into moving mammoths, flying humans, arrows appearing out of nowhere, rocks falling from the sky, people running, swords swinging. And it's all done in one single scene. Our eyes widen with excitement and disbelief, and we can't look away.
Not far away from the complete CGI fighting, Frodo and Sam walk up a set of stairs as a shortcut that Gollum showed them to get to Mount Doom quicker. Sam's becoming restless but still gives all of the food to Frodo. Gollum is becoming more impatient, and Frodo is walking into the dark side. We question whether or not Frodo will make it to Mount Doom, and whether Sam will be able to help him. But even if they do make it, will they make it back? We want hope, and no character better than Gandalf offers that to us. He says "I see Frodo. He is alive" as he smiles and cheerfully pats Aragorn on the back.
There are many scenes in which the audience feels emotion for the character, the situation and the outcome. For example, Denethor (John Noble) finds that his son had been killed and summons his younger son into battle. Upon his son's return he loses his mind and starts to burn himself and his son alive in an attempt to rid himself of guilt. In another very powerful scene, Pippin stands in Denethor's presence as he starts singing a song. This song parallels beautifully the beginning of the big fight, as the Orcs fly and run towards the castle.
The directing is undoubtedly superb, and every aspect of the visuals is brilliant. There isn't even a need to comment on the details since from one look at the movie it is a given. "The Lord of the Rings: The Return of the King" is an incredible gem and a wonderfully directed film. This final film is a perfect example of how a fantasy epic can work in every way possible.
In this final installment, Aragorn (Viggo Mortensen) must realize his destiny as the king of men and gather his army for the final fight of Middle Earth. Meanwhile, Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Voiced by Andy Serkis), formerly known as Smeagol, lurk through the dark cities and mountains in order to reach Mount Doom and destroy the ring once and for all. Complications arise as Frodo suspects Sam of betrayal and theft, while Gollum plans to murder Frodo and take the ring back. Gandalf (Ian McKellen) rides with Pippin (Billy Boyd) to Minas Tirith to warn the humans of the attack, while Arwen (Liv Tyler) realizes she is to become a mortal and have a child with Aragorn. The story comes to its final climax as Frodo reaches the core of Mount Doom and Aragorn, together with his army leads the Mount Doom army away to set a clear path for Frodo.
From minute one, you get sucked into the insanely arousing visuals. The stellar special effects and the epic battles that include incredibly intricate fighting scenes, along with stellar sound, to make the epic battle realistic and fast. The most complex and stunning CGI creation is the creature Gollum (who we see transform from human to monster in the first 10 minutes of the movie). His fish-eyes move around and his body language sways and we forget that he isn't real. And as he attempts to steal the ring and frame Sam, that feeling sets in as though we've been watching a villain kill the main protagonist. In some ways, he has more character traits than a lot of the human actors in the movie. For example, when he talks to himself while looking at his own reflection in the water, he exhibits countless emotions and we know the torment he is experiencing.
Peter Jackson combines CGI and real settings but we never know it. We cannot tell whether a pathway is computer generated or built, whether a door that leads to a lava pit is trick photography or just a different setting. He is able to direct in such a way that the city of Minas Tirith looks both impossible to build, but very convincing. Even Mount Doom seems realistic and we question whether it is a real volcano or just another one of Jackson's genius visions. Not to mention the final battle of Middle Earth, we're constantly thrown into moving mammoths, flying humans, arrows appearing out of nowhere, rocks falling from the sky, people running, swords swinging. And it's all done in one single scene. Our eyes widen with excitement and disbelief, and we can't look away.
Not far away from the complete CGI fighting, Frodo and Sam walk up a set of stairs as a shortcut that Gollum showed them to get to Mount Doom quicker. Sam's becoming restless but still gives all of the food to Frodo. Gollum is becoming more impatient, and Frodo is walking into the dark side. We question whether or not Frodo will make it to Mount Doom, and whether Sam will be able to help him. But even if they do make it, will they make it back? We want hope, and no character better than Gandalf offers that to us. He says "I see Frodo. He is alive" as he smiles and cheerfully pats Aragorn on the back.
There are many scenes in which the audience feels emotion for the character, the situation and the outcome. For example, Denethor (John Noble) finds that his son had been killed and summons his younger son into battle. Upon his son's return he loses his mind and starts to burn himself and his son alive in an attempt to rid himself of guilt. In another very powerful scene, Pippin stands in Denethor's presence as he starts singing a song. This song parallels beautifully the beginning of the big fight, as the Orcs fly and run towards the castle.
The directing is undoubtedly superb, and every aspect of the visuals is brilliant. There isn't even a need to comment on the details since from one look at the movie it is a given. "The Lord of the Rings: The Return of the King" is an incredible gem and a wonderfully directed film. This final film is a perfect example of how a fantasy epic can work in every way possible.