In "Broadway: The Golden Age", Rick Mckay's wonderful documentary, Kim Stanley receives tremendous praise from all the great actors of that time as being especially influential. With the publication of her biography there seems to be a renewed interest in her life and career.
Unfortunately very little is left in the way of documentation of her talents. She came to movies after a career on Broadway and a number of live television plays. But her film career was not to be, owing to the many personal problems she suffered from, which seemingly burnt her out.
"The Goddess" was her first film and it remains the most complete testament to her talents. As such, it really is a must for anyone who appreciates the art of acting. The title role allows for a huge range, from hopeful teenager to jaded Hollywood star. Although clearly too old to play a teenager and definitely no screen beauty worthy of the title "goddess", Stanley pulls it off with the sheer force of her acting. Her portrayal of the breakdown of the actress is devastating. It's particularly disturbing in the light of the similarity of what would become her very own fate.
Paddy Chayevsky paints a bleak picture of the Hollywood Star system as he would later do with network television in "Network". Although well written, it's not an especially astute script lacking in both scope and depth. There is good support form Betty Lou Holland and Lloyd Bridges, but the only reason to seek this one out remains Kim Stanley.
Unfortunately very little is left in the way of documentation of her talents. She came to movies after a career on Broadway and a number of live television plays. But her film career was not to be, owing to the many personal problems she suffered from, which seemingly burnt her out.
"The Goddess" was her first film and it remains the most complete testament to her talents. As such, it really is a must for anyone who appreciates the art of acting. The title role allows for a huge range, from hopeful teenager to jaded Hollywood star. Although clearly too old to play a teenager and definitely no screen beauty worthy of the title "goddess", Stanley pulls it off with the sheer force of her acting. Her portrayal of the breakdown of the actress is devastating. It's particularly disturbing in the light of the similarity of what would become her very own fate.
Paddy Chayevsky paints a bleak picture of the Hollywood Star system as he would later do with network television in "Network". Although well written, it's not an especially astute script lacking in both scope and depth. There is good support form Betty Lou Holland and Lloyd Bridges, but the only reason to seek this one out remains Kim Stanley.