To put it simply, this film is George Orwell's Animal Farm as told by the makers of Memento. It covers a dark subject, and embraces the darkness associated with it.
This film is set in a fictional country that takes elements from many utilitarian countries around the world to give us things to relate to. To me the most interesting was the Kim Jong-il analogy. A president for life who succeeds his father and is very interested in the film industry. Others will likely see other references.
As the film progresses, we follow this country through stages of governmental upheaval. We ride on the shoulder of an idealistic prison guard as he chooses sides, and faces the consequences of that choice.
As the movie was building, I felt like it was building a Pro-Terrorism Utopian government, but in the end I was left hopeless, because of each plot turn making the movie yet more dour.
Symbolism abounds, and you will find yourself trying to locate the meanings of the symbols, which are perhaps a tad too convoluted for my tastes.
I was completely immersed in the story, and I found the progression of the movie to be very compelling, but the overall message of hopelessness clashed with my youthful idealism.
I recommend this movie as debate fodder for political theorists. Its dark themes limit its audience otherwise.
This film is set in a fictional country that takes elements from many utilitarian countries around the world to give us things to relate to. To me the most interesting was the Kim Jong-il analogy. A president for life who succeeds his father and is very interested in the film industry. Others will likely see other references.
As the film progresses, we follow this country through stages of governmental upheaval. We ride on the shoulder of an idealistic prison guard as he chooses sides, and faces the consequences of that choice.
As the movie was building, I felt like it was building a Pro-Terrorism Utopian government, but in the end I was left hopeless, because of each plot turn making the movie yet more dour.
Symbolism abounds, and you will find yourself trying to locate the meanings of the symbols, which are perhaps a tad too convoluted for my tastes.
I was completely immersed in the story, and I found the progression of the movie to be very compelling, but the overall message of hopelessness clashed with my youthful idealism.
I recommend this movie as debate fodder for political theorists. Its dark themes limit its audience otherwise.