The 1956 film "Slightly Scarlet" at first glance looking back from our sophisticated perspective today seems to be a bit of a tongue-in cheek joke.
Directed by Allan Dwan from a Robert Blees screenplay adapted from James M. Cain's novel "Love's Lovely Counterfeit", the 99-minute film is a great combination of color and art direction in a film noir.
Not a highly regarded film noir, in Technicolor and Superscope its palette utilizes a wide range of color to support the individual themes and characterizations.
Our main characters have color scheme that establish them and develop with the story.
Arlene Dahl as Dorothy wears black as she is released from prison and even sports a black bathing suit later in the film.
Rhonda Flemming as June initially appears in Spring-like colors of off-white and yellow, with colors matching her mood as the film progresses. She wears white and blues when she meets Ben Grace for the first time, then black and off-white when they kiss and she begins to fall in love with him. When Dorothy is arrested Rhonda wears a grey sweater and skirt but by the end of the film June wears the same black color as Dorothy emphasizing her relationship to her bad sister.
Although the pivotal action of the film rests on Ben Grace, it is through June that we understand the important elements of the story, and the value of good and bad in this noir world as well as our own.
A study in duality, it falls short by not delivering what it promises but only shifts the pivotal actions onto the male character in the film.
In more than one scene characters tell Ben Grace that he is taking advantage of the situations around him to unfair terms.
Police man Dietz (Frank Gerstle), who Grace gets put into a high-ranking position accuses Ben of playing both ends toward the middle.
A great line from Sole Caspar to Ben Grace sums up his character completely: "Genius you're just a chiseler out for a soft spot. You're not crooked and you're not straight. You take what you can get where you can get it but you don't want any trouble. You'll die at age 66 with three grand in the bank but you'll never be an operator." Looking back its moments of plot change create humor because of the style of acting and the overall writing in the script.
But there is still ample example of real noir elements despite the color of the film.
The title suggests the slightly scarlet is a pun on the pure heart of the lead female as measured against the overall 'sick' nature of her sister, the one who steals.
The quality of the motivation to steal of the second female lead as compared against the organized mob activities of the lead crook is an interesting one. There is the opportunity foe the woman to become the girlfriend of the mob boss, and she seems perfectly matched for the role.
Directed by Allan Dwan from a Robert Blees screenplay adapted from James M. Cain's novel "Love's Lovely Counterfeit", the 99-minute film is a great combination of color and art direction in a film noir.
Not a highly regarded film noir, in Technicolor and Superscope its palette utilizes a wide range of color to support the individual themes and characterizations.
Our main characters have color scheme that establish them and develop with the story.
Arlene Dahl as Dorothy wears black as she is released from prison and even sports a black bathing suit later in the film.
Rhonda Flemming as June initially appears in Spring-like colors of off-white and yellow, with colors matching her mood as the film progresses. She wears white and blues when she meets Ben Grace for the first time, then black and off-white when they kiss and she begins to fall in love with him. When Dorothy is arrested Rhonda wears a grey sweater and skirt but by the end of the film June wears the same black color as Dorothy emphasizing her relationship to her bad sister.
Although the pivotal action of the film rests on Ben Grace, it is through June that we understand the important elements of the story, and the value of good and bad in this noir world as well as our own.
A study in duality, it falls short by not delivering what it promises but only shifts the pivotal actions onto the male character in the film.
In more than one scene characters tell Ben Grace that he is taking advantage of the situations around him to unfair terms.
Police man Dietz (Frank Gerstle), who Grace gets put into a high-ranking position accuses Ben of playing both ends toward the middle.
A great line from Sole Caspar to Ben Grace sums up his character completely: "Genius you're just a chiseler out for a soft spot. You're not crooked and you're not straight. You take what you can get where you can get it but you don't want any trouble. You'll die at age 66 with three grand in the bank but you'll never be an operator." Looking back its moments of plot change create humor because of the style of acting and the overall writing in the script.
But there is still ample example of real noir elements despite the color of the film.
The title suggests the slightly scarlet is a pun on the pure heart of the lead female as measured against the overall 'sick' nature of her sister, the one who steals.
The quality of the motivation to steal of the second female lead as compared against the organized mob activities of the lead crook is an interesting one. There is the opportunity foe the woman to become the girlfriend of the mob boss, and she seems perfectly matched for the role.