If the pleasure of watching GINGER ROGERS, DOUGLAS FAIRBANKS, JR. and LEE BOWMAN in their prime is enough for you, you won't mind watching this feeble little comedy about a vacationing girl in a typical girl meets boy, girl loses boy, girl wins boy kind of affair.
And whatever laughs come along are few and far between, as someone else suggested, and the gags aren't fresh enough to sustain much interest. The backgammon scene becomes a bore, as does the party scene with "Heigh Ho" being sung non-stop in inebriated fashion.
Strictly a small time trifle, hardly worth bothering about. No one is seen to their advantage except for the three photogenic leads in a cast that includes EVE ARDEN (wasted), LUCILLE BALL (wasted), JACK Carson (wasted), DONALD COOK and GRADY SUTTON, with an interesting debut of comedian RED SKELTON, billed as Richard (Red) Skelton) who demonstrates his skill with a series of pratfalls. He does more with his small role than anyone else is able to muster.
The original play was a satire about Jewish vacationers in the Catskills but was revamped as a vehicle for Ginger Rogers with all the Jewish jokes removed. What's left is a weak comedy with nowhere to go.
Summing up: The title is a misnomer. It's hardly worth anyone's time but it's pleasing to note that LEE BOWMAN's reaction shots reveal a flair for comedy never fully realized throughout his film career.
And whatever laughs come along are few and far between, as someone else suggested, and the gags aren't fresh enough to sustain much interest. The backgammon scene becomes a bore, as does the party scene with "Heigh Ho" being sung non-stop in inebriated fashion.
Strictly a small time trifle, hardly worth bothering about. No one is seen to their advantage except for the three photogenic leads in a cast that includes EVE ARDEN (wasted), LUCILLE BALL (wasted), JACK Carson (wasted), DONALD COOK and GRADY SUTTON, with an interesting debut of comedian RED SKELTON, billed as Richard (Red) Skelton) who demonstrates his skill with a series of pratfalls. He does more with his small role than anyone else is able to muster.
The original play was a satire about Jewish vacationers in the Catskills but was revamped as a vehicle for Ginger Rogers with all the Jewish jokes removed. What's left is a weak comedy with nowhere to go.
Summing up: The title is a misnomer. It's hardly worth anyone's time but it's pleasing to note that LEE BOWMAN's reaction shots reveal a flair for comedy never fully realized throughout his film career.