5/10
Beginning of Decline of Tarzan Series a Ho-Hum Adventure...
11 November 2006
Warning: Spoilers
With the end of WWII, every Hollywood studio faced some major financial problems (a return of the high-priced talent, under contract and expecting to work, smaller audiences, as people had other ways to pass the time, increased production costs, government investigations into the industry), and for the smaller studios, the effect was most pronounced, as shooting budgets would be slashed on many features. TARZAN AND THE LEOPARD WOMAN marked the beginning of the decline of the RKO-Johnny Weissmuller films, with a BIG drop in quality from the previous year's TARZAN AND THE AMAZONS.

The film is a routine tale of a leopard cult which terrorizes the local African community, while attempting to thwart the government's plan to 'bring civilization' to another village, by capturing caravans and killing everyone, dressed in some REALLY cheesy, leopard-skin, clawed costumes! A dying survivor only has time to utter "leopards" before he expires, and while Tarzan quickly realizes this wasn't the work of animals (and HE would KNOW!), nobody believes him, and the cult turns loose an actual pack of leopards on the next caravan, to discredit him. Even Jane (Brenda Joyce, in her second outing in the role), thinks the Ape Man is getting a bit 'balmy', so Tarzan shrugs off his suspicions, and returns home to do some plumbing work on the tree house(??!!) Naturally, the cult, led by their 'plant' in the government, Nazi-like 'Dr. Lazar' (Edgar Barrier) and buxom, exotic high priestess, Lea (Acquanetta), worries about Tarzan again disrupting their 'Master Plan', so she sends her weaselly little brother (Tommy Cook) to spy on the Ape Man and his family.

Eventually, Tarzan DOES again get involved; he, Jane, and Boy are captured, and dragged into the cult's cave headquarters to be executed, so, of course, Cheeta has to save Tarzan (as always...) The Ape Man rescues the innocents, kills the baddies, and destroys the cult and their hideout...but, by this point, who really cares?

The film has little to offer, other than some silly, if unintentionally camp 'cult dances', the ever-reliable humor of Cheeta, and the novelty of seeing Boy (Johnny Sheffield) in the midst of puberty. Johnny Weissmuller, at 42, looked more 'middle-aged' than ever, and his once-graceful swimmer's physique had packed on some pounds!

The series was definitely on a downward slide, and things would only get worse...
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