'The Truth About Charlie' is not worthy to be a remake of the great 'Charade'. To be honest, I don't even get why they had to remake that film since it still works today, both as a Hitchcockian thriller and as comedy. But they did remake it, and where the original film stars Cary Grant and Audrey Hepburn, two of the greatest stars in the movies, this film gives us Mark Wahlberg and Thandie Newton. Personally I like Wahlberg, especially in 'Boogie Nights', 'Three Kings' and later film 'The Departed', but apparently this role was for Grant only; Wahlberg does not pull it off. For me personally Newton ruined the film. I never understood whether this film contained the comedic elements as they were in 'Charade' or not, but whatever it was, it felt weird and out of place. Mainly, Newton's performance was the cause of this.
The second distraction comes from Paris as the setting. Director Jonathan Demme, who has lost most of his 'The Silence of the Lambs'-touch, is too much in love with it. By now the world has seen the Eiffel Tower, and for that matter has heard Charles Aznavour (who appears from time to time), and the film does not realize this. If the story is only a backdrop for a place and an atmosphere, at least show us elements of both things we are not acquainted with. The story, by the way, deals with Newton as Regina Lambert who finds out Charlie, her husband for three months, now dead, used to lead more than one life. Apparently he had six million dollars in diamonds and now the French police, a couple of former soldiers who fought with Charlie, and a character played by Tim Robbins are after it. Mark Wahlberg's character named Joshua Peters pops up everywhere Newton seems to need him, meaning his role will stay vague as long as the film wants it to be.
When the closing scenes finally arrived I did not care anymore. Who was who and why and for what reason; it didn't matter to me, I was just glad the film was over. The final scenes were supposed to have some suspense in it, but even that was spoiled by annoying close-ups and many cuts. I have seen quite some bad films over the years but this time I was really amazed with such good material wasted in such a complete way.
The second distraction comes from Paris as the setting. Director Jonathan Demme, who has lost most of his 'The Silence of the Lambs'-touch, is too much in love with it. By now the world has seen the Eiffel Tower, and for that matter has heard Charles Aznavour (who appears from time to time), and the film does not realize this. If the story is only a backdrop for a place and an atmosphere, at least show us elements of both things we are not acquainted with. The story, by the way, deals with Newton as Regina Lambert who finds out Charlie, her husband for three months, now dead, used to lead more than one life. Apparently he had six million dollars in diamonds and now the French police, a couple of former soldiers who fought with Charlie, and a character played by Tim Robbins are after it. Mark Wahlberg's character named Joshua Peters pops up everywhere Newton seems to need him, meaning his role will stay vague as long as the film wants it to be.
When the closing scenes finally arrived I did not care anymore. Who was who and why and for what reason; it didn't matter to me, I was just glad the film was over. The final scenes were supposed to have some suspense in it, but even that was spoiled by annoying close-ups and many cuts. I have seen quite some bad films over the years but this time I was really amazed with such good material wasted in such a complete way.