Thanks to the recent 'Special Edition' release of the 1947 classic "Miracle on 34th Street", this first 'remake' of the tale, included in the 'Special Features', is available for everyone to enjoy...and while it lacks the magic of the film, it is certainly entertaining in it's own right!
There were, surprisingly, five versions of the Valentine Davies Christmas story produced over 47 years, each offering a different emotional 'spin' to the question, "Could Santa Exist in a Materialistic World?". The 1955 version, aired as an episode of "The 20th Century-Fox Hour", was certainly the closest in 'look' to the original (utilizing footage from the film, to help offset a tiny budget, and offering Herbert Heyes, reprising his role as Mr. Gimbel), and benefits from a first-rate cast of major stars (Teresa Wright and MacDonald Carey, who had worked together in Hitchcock's "Shadow of a Doubt", John Ford 'stock company' stars Thomas Mitchell and Dick Foran, Orson Welles' Mercury Theater alum Ray Collins, and veteran character actors Hans Conried and Whit Bissell). While 10-year-old Sandy Descher lacked the skeptical sweetness of Natalie Wood in the key role of young Susan, veteran director Robert Stevenson, juggling a large cast and short running time, kept things moving so quickly that her shortcomings were easily overlooked.
I'm a great fan of Oscar-winner Thomas Mitchell, and his portrayal of Kris Kringle is a gem, but he seems more a bearded leprechaun than Santa Claus, with a 'snap salute' greeting, and Irish mischief concealed behind those twinkling eyes! In a major divergence from the film, he actually DOES strike Sawyer (John Abbott), in front of a roomful of children, for attacking his claim of being Santa Claus (which, in the original, was a trumped-up charge to get Kris committed). Edmund Gwenn's portrayal was, and still is, the yardstick by which all "Santa Clauses" are measured...and, truthfully, no one else has ever come close.
The major problem in the 1955 production isn't in the casting, however; it is in the brevity. A magical story of renewing one's sense of wonder and innocence, of rediscovering love and why we need Santa Claus, requires time to unfold, and less than an hour simply isn't long enough! Despite all of the talent involved, this version never comes across as more than an 'abridged' copy of the original, and would be easily 'passed over' without it's classic ancestor's name attached to it. But it is still fun, and worth viewing!
There were, surprisingly, five versions of the Valentine Davies Christmas story produced over 47 years, each offering a different emotional 'spin' to the question, "Could Santa Exist in a Materialistic World?". The 1955 version, aired as an episode of "The 20th Century-Fox Hour", was certainly the closest in 'look' to the original (utilizing footage from the film, to help offset a tiny budget, and offering Herbert Heyes, reprising his role as Mr. Gimbel), and benefits from a first-rate cast of major stars (Teresa Wright and MacDonald Carey, who had worked together in Hitchcock's "Shadow of a Doubt", John Ford 'stock company' stars Thomas Mitchell and Dick Foran, Orson Welles' Mercury Theater alum Ray Collins, and veteran character actors Hans Conried and Whit Bissell). While 10-year-old Sandy Descher lacked the skeptical sweetness of Natalie Wood in the key role of young Susan, veteran director Robert Stevenson, juggling a large cast and short running time, kept things moving so quickly that her shortcomings were easily overlooked.
I'm a great fan of Oscar-winner Thomas Mitchell, and his portrayal of Kris Kringle is a gem, but he seems more a bearded leprechaun than Santa Claus, with a 'snap salute' greeting, and Irish mischief concealed behind those twinkling eyes! In a major divergence from the film, he actually DOES strike Sawyer (John Abbott), in front of a roomful of children, for attacking his claim of being Santa Claus (which, in the original, was a trumped-up charge to get Kris committed). Edmund Gwenn's portrayal was, and still is, the yardstick by which all "Santa Clauses" are measured...and, truthfully, no one else has ever come close.
The major problem in the 1955 production isn't in the casting, however; it is in the brevity. A magical story of renewing one's sense of wonder and innocence, of rediscovering love and why we need Santa Claus, requires time to unfold, and less than an hour simply isn't long enough! Despite all of the talent involved, this version never comes across as more than an 'abridged' copy of the original, and would be easily 'passed over' without it's classic ancestor's name attached to it. But it is still fun, and worth viewing!