Imagine yourself in 1900s Vienna among the glamour, the ritz and sweet seductive Viennese street tunes. Picture yourself falling in love with Joan Fontaine and Louis Jourdan careening along the cobbled streets under a sparkling moonlit sky.
Ophuls' dreamlike fantasy into young love and heartache melts your heart and tantalises the most romantic in each us. The story is told in flashback by Fontaine and covers her accession from lust the true love then longing and regret. The events of the story are unfolded to us through Fontaine's final letter written to Jourdan. We discover how the lovely couple met and what resulted in them breaking away and returning to love.
The film takes us through the opulence of the rich, elegant society parties, family dynamics, and the adversities of fame and married life. The story is basically a set a flashbacks of their love together, their defining moments and their crises.
Ophuls moves the piece along in a gliding, swooning fashion. There are many wonderful shots and movements between the glistening Viennese apartments and their opulent decorations. A lot of the film is very dark, set during twilight and after midnight, and Ophuls frames each scene perfectly with the intimate symmetry of light and shadows. He is outstanding with the interiors and glass reflections; the shine of street lamps and candlelight to create a truly romantic dreamworld.
Both Fontaine and Jourdan are excellent. Together they are romantic, suave and mystical. Fontaine in particular was radiant and youthful. She shines in each scene among the darkness and sumptuous sets. The story begins with her as a coy and bashful young woman. She develops into a girl longing for love, in a state of dreamy affection to a stunningly elegant and always struggling against her desires and duties.
As a avid lover of fine music, I loved the sensual score and scenes of Jourdan rippling over the piano producing a dreamlike flowing theme. The scene at the opera was also a real treat and heartbreaking to see the principals recapturing long lost love and idealistic memories.
This is a superb melodrama about lost love and admitting that when the right love comes, we can only be so naive and captivated by the beauty of it. It was lovely to fall in and out of love with Fontaine and Jourdan, remembering that love is a desire worth waiting on.
Ophuls' dreamlike fantasy into young love and heartache melts your heart and tantalises the most romantic in each us. The story is told in flashback by Fontaine and covers her accession from lust the true love then longing and regret. The events of the story are unfolded to us through Fontaine's final letter written to Jourdan. We discover how the lovely couple met and what resulted in them breaking away and returning to love.
The film takes us through the opulence of the rich, elegant society parties, family dynamics, and the adversities of fame and married life. The story is basically a set a flashbacks of their love together, their defining moments and their crises.
Ophuls moves the piece along in a gliding, swooning fashion. There are many wonderful shots and movements between the glistening Viennese apartments and their opulent decorations. A lot of the film is very dark, set during twilight and after midnight, and Ophuls frames each scene perfectly with the intimate symmetry of light and shadows. He is outstanding with the interiors and glass reflections; the shine of street lamps and candlelight to create a truly romantic dreamworld.
Both Fontaine and Jourdan are excellent. Together they are romantic, suave and mystical. Fontaine in particular was radiant and youthful. She shines in each scene among the darkness and sumptuous sets. The story begins with her as a coy and bashful young woman. She develops into a girl longing for love, in a state of dreamy affection to a stunningly elegant and always struggling against her desires and duties.
As a avid lover of fine music, I loved the sensual score and scenes of Jourdan rippling over the piano producing a dreamlike flowing theme. The scene at the opera was also a real treat and heartbreaking to see the principals recapturing long lost love and idealistic memories.
This is a superb melodrama about lost love and admitting that when the right love comes, we can only be so naive and captivated by the beauty of it. It was lovely to fall in and out of love with Fontaine and Jourdan, remembering that love is a desire worth waiting on.