It can be argued that Jason Robards gave his career screen performance in the title role of in The Ballad of Cable Hogue. Borrowing heavily from Lee Marvin's Kid Shalleen from Cat Ballou, Robards is one desert rascal who turns a crisis into a moneymaker.
Old time prospector Cable Hogue is deserted and left to die on the desert by his two partners, Strother Martin and L.Q. Jones. Ready to cash it in, he happens on some water, the only water in a desert between two Nevada towns. With only 35 cents to his name, he takes a claim on the two acres where that spring is and through some wit and rascally charm he gets the stagecoach line to open up a station right there.
In the list of Sam Peckinpah's screen credits this is the only comedy in the bunch and I'm surprised he didn't do more. None of those slow motion hymns to violence are in this film, but Peckinpah does show a good sense of comedy which given the type of stuff he normally did you wouldn't think he would have.
Of course the other half of the credit for The Ballad of Cable Hogue belongs to Jason Robards and the droll performance he delivers. Cable Hogue is a man who's got a good sense of himself and ain't easily trifled with.
Stella Stevens is good as the tart where her heart ought to be. And such Peckinpah regulars as Slim Pickens and R.G. Armstrong round out a very capable supporting cast.
For unusual taste of Peckinpah, you really ought to see The Ballad of Cable Hogue.
Old time prospector Cable Hogue is deserted and left to die on the desert by his two partners, Strother Martin and L.Q. Jones. Ready to cash it in, he happens on some water, the only water in a desert between two Nevada towns. With only 35 cents to his name, he takes a claim on the two acres where that spring is and through some wit and rascally charm he gets the stagecoach line to open up a station right there.
In the list of Sam Peckinpah's screen credits this is the only comedy in the bunch and I'm surprised he didn't do more. None of those slow motion hymns to violence are in this film, but Peckinpah does show a good sense of comedy which given the type of stuff he normally did you wouldn't think he would have.
Of course the other half of the credit for The Ballad of Cable Hogue belongs to Jason Robards and the droll performance he delivers. Cable Hogue is a man who's got a good sense of himself and ain't easily trifled with.
Stella Stevens is good as the tart where her heart ought to be. And such Peckinpah regulars as Slim Pickens and R.G. Armstrong round out a very capable supporting cast.
For unusual taste of Peckinpah, you really ought to see The Ballad of Cable Hogue.