I was already predisposed to like this - big fan of Tommy Lee Jones, and I do enjoy my modern westerns. However, I find that the quality on VHS is quite a big obstacle to my enjoyment these days, and makes the film seem a lot cheaper than it actually is. Plus, the sound was terrible, which made it even more difficult for me to decipher Jones' nasal drawl (a number of times I actually had to rewind and listen closely again to even get the gist), and which he seemed to be laying on pretty darn thick, to boot.
Won't beat around the bush with a synopsis: lovable, nomadic rogue returns to the old homestead after years away, finds things have changed, has problems integrating and eventually learns to come to terms with it all. You know the drill. Jones himself is very endearing - not a man generally known for exuding warmth and upbeat optimism, but he convinces, as usual. Not the first time he's donned a stetson, he looks born to the saddle, roping steers, breaking in unruly horses and other suitably manly activities. There's a love interest in the shape of Sissy Spacek - could take her or leave her, really, but that's a personal feeling. Frances McDormand in particular was very good as the no-nonsense matriarch, and a young Matt Damon does a very serviceable turn as her son.
Lots of hackneyed 'comedy' moments: dog relieves itself on someone's leg; fat man falls over; outhouse gets knocked over with someone in it; man sits on cactus and has to have the spikes extracted from his backside - hilarious stuff. All pretty weak, but comes with the territory I suppose. Quite a few bits seemed contrived just to bring Jones and Spacek together (I'm looking at you, changing room scene) and they do invite some eye-rolling. A little surprised at the bittersweet ending, but it fits and the closing image is appropriately meaningful, if predictable, with Jones riding off into the sunset alone.
The kind of film you find channel-hopping on a lazy Sunday afternoon. You know what's going to happen, but it's well cast, inoffensive, and mildly enjoyable in itself.
Won't beat around the bush with a synopsis: lovable, nomadic rogue returns to the old homestead after years away, finds things have changed, has problems integrating and eventually learns to come to terms with it all. You know the drill. Jones himself is very endearing - not a man generally known for exuding warmth and upbeat optimism, but he convinces, as usual. Not the first time he's donned a stetson, he looks born to the saddle, roping steers, breaking in unruly horses and other suitably manly activities. There's a love interest in the shape of Sissy Spacek - could take her or leave her, really, but that's a personal feeling. Frances McDormand in particular was very good as the no-nonsense matriarch, and a young Matt Damon does a very serviceable turn as her son.
Lots of hackneyed 'comedy' moments: dog relieves itself on someone's leg; fat man falls over; outhouse gets knocked over with someone in it; man sits on cactus and has to have the spikes extracted from his backside - hilarious stuff. All pretty weak, but comes with the territory I suppose. Quite a few bits seemed contrived just to bring Jones and Spacek together (I'm looking at you, changing room scene) and they do invite some eye-rolling. A little surprised at the bittersweet ending, but it fits and the closing image is appropriately meaningful, if predictable, with Jones riding off into the sunset alone.
The kind of film you find channel-hopping on a lazy Sunday afternoon. You know what's going to happen, but it's well cast, inoffensive, and mildly enjoyable in itself.