Set in the Montana Territory of 1866, brothers Ben (Clark Gable) and Clint (Cameron Mitchell) Allison find themselves talked into a cattle drive from Texas back to Boomtown, after robbing high roller Nathan Stark (Robert Ryan) in his own saloon. Ryan's character is the taller of the two main stars, but it's not enough to win the heart of Nella Turner (Jane Russell), after she see saws her way between the two through much of the story. Russell of course steals any scene in which she's featured, and with the help of a provocative wardrobe, one is constantly reminded of her best assets.
Constantly on the lookout for tidbits from an earlier era, I was as shocked as the Allison Brothers when the stable guy wanted to charge them sixteen dollars for two horses overnight. I don't think I've seen another Western where the charge was more than two bucks. What made that especially onerous was when Nella was quoted a dollar fifty a night, nine dollars for the week at a ritzy hotel in San Antone. Kind of makes you wonder what the horses got that humans didn't!
Amid the tension of the romantic triangle, I got a kick out of the comic relief elements in the story, all wonderfully understated, and usually involving Russell's character. The best included the cutting of the girdle scene, her drenching river crossing, and brother Clint's frog in the bucket. Curiously, even though they were brothers, I found it intriguing how Clint sounded more and more Mexican as the story progressed.
I can empathize with other reviewers on this board who felt the film was a bit on the long side. Considering that the cattle drive was fifteen hundred miles, that would have taken at least two months in real time, and probably longer. This was the only time I ever saw in a movie where they had to hoist the wagons down over rock cliffs, something I would never have considered. So what do you leave out, the Jayhawkers or Red Cloud?
By the time the story's over, Nella's big dreams and Ben's small ones find a way to converge in the most minor of twist endings. It was interesting too how the words to Nella's 'Tall Man' song always seemed to fit the occasion; I wonder if she had one for Prairie Dog Creek?
Constantly on the lookout for tidbits from an earlier era, I was as shocked as the Allison Brothers when the stable guy wanted to charge them sixteen dollars for two horses overnight. I don't think I've seen another Western where the charge was more than two bucks. What made that especially onerous was when Nella was quoted a dollar fifty a night, nine dollars for the week at a ritzy hotel in San Antone. Kind of makes you wonder what the horses got that humans didn't!
Amid the tension of the romantic triangle, I got a kick out of the comic relief elements in the story, all wonderfully understated, and usually involving Russell's character. The best included the cutting of the girdle scene, her drenching river crossing, and brother Clint's frog in the bucket. Curiously, even though they were brothers, I found it intriguing how Clint sounded more and more Mexican as the story progressed.
I can empathize with other reviewers on this board who felt the film was a bit on the long side. Considering that the cattle drive was fifteen hundred miles, that would have taken at least two months in real time, and probably longer. This was the only time I ever saw in a movie where they had to hoist the wagons down over rock cliffs, something I would never have considered. So what do you leave out, the Jayhawkers or Red Cloud?
By the time the story's over, Nella's big dreams and Ben's small ones find a way to converge in the most minor of twist endings. It was interesting too how the words to Nella's 'Tall Man' song always seemed to fit the occasion; I wonder if she had one for Prairie Dog Creek?