I know this film is loved and admired by countless filmmakers and fans. I know that the film is very artistic and wonderfully well made. And I understand that all serious lovers of film SHOULD see this film. But, despite this being a "must-see" film, I didn't particularly enjoy it--but I do respect what Fellini was trying to do. For the first time, Fellini was able to capture on film the psyche and inner turmoil of a director and although the film stars Marcello Mastroianni, the film is in many, many ways autobiographical. His inner struggles with traditional morality and god, sexuality and loyalty, all the sycophants trying to get his attention and the critic as well as his own childhood (including, of course his mother AND a representation of early sexual awakening in the form of a hideous but very sexual lady who looked a lot like Divine!) all come together in a series of somewhat disconnected images. All these factors that together work together to make the director's psyche are interesting, but very surreal--like the entire film is a dream or something that is the result of drugs. It is interesting at times, but also very tiring and difficult to watch at times and occasionally a bit dull. That's because it's a very choppy movie and only a child who is very hyperactive could easily stick with the ever-changing plot. As for me, what I liked best was the opening dream sequence--it was very amusing and brilliant.
This type of self-analysis and parody was often copied in such films as STARDUST MEMORIES (to me, a blatant attempt by Woody Allen to steal or re-created 8 1/2) or DAY FOR NIGHT--though Truffaut's vision is much, much more conventional and lacks the surrealism and weirdness of Fellini. Many prefer Fellini's mad style, but as for me, while it is not as original or wildly innovative, DAY FOR NIGHT was a more enjoyable film.
Overall, while not a fun or completely comprehensible film, it's a must for anyone who considers themselves a serious fan of film.
This type of self-analysis and parody was often copied in such films as STARDUST MEMORIES (to me, a blatant attempt by Woody Allen to steal or re-created 8 1/2) or DAY FOR NIGHT--though Truffaut's vision is much, much more conventional and lacks the surrealism and weirdness of Fellini. Many prefer Fellini's mad style, but as for me, while it is not as original or wildly innovative, DAY FOR NIGHT was a more enjoyable film.
Overall, while not a fun or completely comprehensible film, it's a must for anyone who considers themselves a serious fan of film.