Das Leben der Anderen (aka the Lives of Others) by Florian Henckel von Donnersmarck delves the audience in the atmosphere of East Germany at a time when the word Freedom was defined by the Communist Party.
Mainly shot in the old Stasi Headquarter the film manages to provide as much for the protagonist as for the audience the coldness of both the feeling and decorum.
Through "Das Leben der Anderen" Mr. von Donnersmarck represents a new generation of German filmmakers who try the "reconquista" of their own History, proposing a reflection on the long separation of the two Germanys. The story takes place in the early eighties in East Germany where the successful auteur George Dreyman and his lover, the actress Christa-Maria Sieland are considered to be part of the intellectual elite even though they don't share the communism ideal.
"Das Leben der Anderen" is a slow movie but never a boring one it builds up tension while developing multitude of thematic. Beside the obvious denunciation of a system which is indeed falling, the film talks about "love" and how the love of art can sometimes be stronger than the physical one or how individual are in essence individualistic.
Serve with a terrific cast "Das Leben der Anderen" is a cinematic achievement. Ulrich Mühe knows how to express feeling with minimal words but an expressive visage, Sebastian Koch understands the term "character embodiment" and the very sexy Martina Gedeck makes herself desirable and so profoundly human.
Florian Henckel von Donnersmarck manages to describe a dark period in a non Manichean way. He explores through an efficient scenario a troubled History with no complex, realism and humanity. Das Leben der Anderen is a sincere movie and true cinema is indeed about sincerity.
Mainly shot in the old Stasi Headquarter the film manages to provide as much for the protagonist as for the audience the coldness of both the feeling and decorum.
Through "Das Leben der Anderen" Mr. von Donnersmarck represents a new generation of German filmmakers who try the "reconquista" of their own History, proposing a reflection on the long separation of the two Germanys. The story takes place in the early eighties in East Germany where the successful auteur George Dreyman and his lover, the actress Christa-Maria Sieland are considered to be part of the intellectual elite even though they don't share the communism ideal.
"Das Leben der Anderen" is a slow movie but never a boring one it builds up tension while developing multitude of thematic. Beside the obvious denunciation of a system which is indeed falling, the film talks about "love" and how the love of art can sometimes be stronger than the physical one or how individual are in essence individualistic.
Serve with a terrific cast "Das Leben der Anderen" is a cinematic achievement. Ulrich Mühe knows how to express feeling with minimal words but an expressive visage, Sebastian Koch understands the term "character embodiment" and the very sexy Martina Gedeck makes herself desirable and so profoundly human.
Florian Henckel von Donnersmarck manages to describe a dark period in a non Manichean way. He explores through an efficient scenario a troubled History with no complex, realism and humanity. Das Leben der Anderen is a sincere movie and true cinema is indeed about sincerity.