8/10
Over 60 years on, traditional WW2 villains are finally allowed to be human
3 May 2007
Not having seen Flags of Our Fathers, I'll be unable to make any comparison to its companion-movie. Even on its own Letter to Iwo Jima could be seen as representing the new tendency to "humanise" what were until recently the traditional WW2 villains from an Anglosaxon point of view. History tends to be written by those on the winning side - hence, we have had decades of inhuman German war machines, cowardly Italians and unspeakably cruel Japanese. Now, over 60 years since WW2, it has become acceptable - nay, the done thing if you have a conscience, to humanise the losers and show even the winners as fallible and even individually despicable (***SPOILER:*** see the American soldier who shoots the two Japanese prisoners who've deliberately given themselves over. ***END OF SPOILER***). Letters to Iwo Jima clearly has its heart in the right place: it wants to be objective, above and beyond anything else. And it is. Japanese soldiers have mothers, adorable young pregnant wives in pretty kimonos and sons they write loving letters to. We empathise with them no less than we have with all those American soldiers in an endless string of war movies. Technically, Letters is a well-made movie. It's also genuinely moving in parts - you do end up caring for most of the main players. For my personal taste, though, it spells things out too much and too often. Still, for something produced by Mr Manipulative Spielberg and co-written by Paul "Crash" Haggis, I was impressed.
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