Sometimes some films go unnoticed. Either because they come from countries we don't exactly positioned on the world map, or because those gems are directed by none mainstream directors, or maybe because those films don't have a wide distribution and sometimes because the title or the story's pitch is not that engaging
"After the Wedding" might has gone unnoticed for all these bad reasons so let's first clear them up.
Denmark is in northern Europe, capital Copenhagen. This country gave us the 1987 Oscar winning "Babette's Feast" by Gabriel Axel and the 1988 Oscar winner, "Pelle the Conqueror" by Bille August. As per Susanne Bier who directed "After the Wedding" if she is not a mainstream director she also is not exactly a junior director. In fact she already directed a dozen of films, all emotionally engaging like Brødre (2004) aka Brothers or Sekten (1997) aka Credo.
In the city I was leaving in at that time only 2 or 3 cinemas were showing "After the Wedding". And quite frankly when I first red the synopsis I thought the movie would likely be a bore fest: a manager of an orphanage (Mikkelsen) in India is sent to Copenhagen, Denmark in order to discuss sponsoring with a billionaire (Lassgård) but what he discovers is a life-altering family secret. Fortunately my better half convinced me to go see this complete cinematic experience in which the depth of the characters, the originality of the scenario, and the outstanding acting concur to make this film one of the greatest films of 2006/07 and a true emotional experience.
The strength of "After the Wedding" resides in its dynamic based on our faculty to extrapolate and judge promptly. Indeed the film first 20 minutes builds stereotypes only for us to pull them down in the last hour and a half terrific
Do you know what realistic acting is? Well after witnessing Mads Mikkelsen and Rolf Lassgård answering, analyzing each other you'll understand what true acting is. The kind that feels so real you think you are witnessing stolen slice of life on screen. If those two actors really epitomized great performance, Sidse Babett Knudsen as Helene and Stine Fischer Christensen as Anna deserve a mention.
But a well directed well played film does not necessary triggers emotions. "After the Wedding" does. The film moves you in a way few films do. We don't identify but we relate and as the gap between the protagonists shrinks, the distance between the audience and the characters fades away. Profoundly "humanist" the film proposes another definition for the word "Gift" The gift of oneself, the ultimate Love. Susanne Bier succeeds in triggering this Generosity not only on the screen but also in our soul.
Denmark is in northern Europe, capital Copenhagen. This country gave us the 1987 Oscar winning "Babette's Feast" by Gabriel Axel and the 1988 Oscar winner, "Pelle the Conqueror" by Bille August. As per Susanne Bier who directed "After the Wedding" if she is not a mainstream director she also is not exactly a junior director. In fact she already directed a dozen of films, all emotionally engaging like Brødre (2004) aka Brothers or Sekten (1997) aka Credo.
In the city I was leaving in at that time only 2 or 3 cinemas were showing "After the Wedding". And quite frankly when I first red the synopsis I thought the movie would likely be a bore fest: a manager of an orphanage (Mikkelsen) in India is sent to Copenhagen, Denmark in order to discuss sponsoring with a billionaire (Lassgård) but what he discovers is a life-altering family secret. Fortunately my better half convinced me to go see this complete cinematic experience in which the depth of the characters, the originality of the scenario, and the outstanding acting concur to make this film one of the greatest films of 2006/07 and a true emotional experience.
The strength of "After the Wedding" resides in its dynamic based on our faculty to extrapolate and judge promptly. Indeed the film first 20 minutes builds stereotypes only for us to pull them down in the last hour and a half terrific
Do you know what realistic acting is? Well after witnessing Mads Mikkelsen and Rolf Lassgård answering, analyzing each other you'll understand what true acting is. The kind that feels so real you think you are witnessing stolen slice of life on screen. If those two actors really epitomized great performance, Sidse Babett Knudsen as Helene and Stine Fischer Christensen as Anna deserve a mention.
But a well directed well played film does not necessary triggers emotions. "After the Wedding" does. The film moves you in a way few films do. We don't identify but we relate and as the gap between the protagonists shrinks, the distance between the audience and the characters fades away. Profoundly "humanist" the film proposes another definition for the word "Gift" The gift of oneself, the ultimate Love. Susanne Bier succeeds in triggering this Generosity not only on the screen but also in our soul.