Most of the shows during the '80s often have an unfair nostalgic bias. As they were considered so well done then, the memory cheats and realizes that they couldn't have been that well made. Sadly, this is an unfair conceit. Most of the shows that were well-liked do have an unmistakable charm to them. The Cosby Show, however, is not one of them.
While this could be mistakenly attributed to the last seasons of the show where the wheels fell of the premise and it started relying on its laurels, the real truth is that the Cosby Show had no real bite to it. As TV, it seemed to work because it was on every week and in the same spot so you could set your watch by it. But if one catches a few reruns in which the show is aired twice or more, the holes start showing. The Cosby Show doesn't have humor as much as it's a kickback to the pseudo-moralistic 1950s bland television in which something happens, someone finds out, and a moral is shot out. While a common criticism of this show is that it does not accurate represent race, the real truth is that the show doesn't represent human beings in any way, shape, or form. There are no real issues handled in a realistic manner. There are no real characterization outside of archetypes that date back to "Leave It To Beaver." Theo could be interchanged with Wally Cleaver or Eddie Haskell at various points in the show's run. Bill Cosby's character could be Gomez Addams mixed with the ghost of Dick Van Dyke. The lack of true characterization is what dooms this show. If anything, the Cosby Show was able to be a classic because it was right on the precipice of the old sitcom mold and what was to come but not yet formed style of television making. It did what it did well, but what it did wasn't anything groundbreaking. The Cosby Show could have been about homosexual Martian plumbers who collected Spawn figures, and the archetypes would have been exactly the same from every sitcom that came before it. Race wasn't a factor outside of publicity. Anybody could have inhabited those roles and made a classic. They did: it was a mold used for various sitcoms since the rise of popular television.
That said, the show just isn't interesting anymore. Now that Cosby's best-known show has faded into the ether for fifteen-plus years, its lack of characterization really plays against it. While most people alive and watching then could easily recognize the plot of the show, the fun is just no longer there. Outside of the new and the generally accepted opinion that the show was funny at parts, the show just has nothing to it. Most of the actors on it have faded into the ether along with the show or have done nothing of real consequence since then. They're not untalented, but the show gave them nothing to stand out with. With archetypes for characters, nobody stands out unless the plot directs them to.
In short, the show that represented the best years NBC has ever had is now just a forgotten relic without any punch in a world full of more interesting programming. While it is a piece of the past, there's nothing to recommend it outside of nostalgia. While this is unfortunate, it was the same fate that befell most of the shows that it based off of. Considering the fate of that sitcom mold, perhaps the Cosby Show can claim some sort of victory. At least it used the mold when it was somewhat respectable, and not tarnished by has-beens with the last names of Belushi and Sheen.
Not a good ending, but not as bad as it could have been. Too bad the DVDs haven't been given any respect.
While this could be mistakenly attributed to the last seasons of the show where the wheels fell of the premise and it started relying on its laurels, the real truth is that the Cosby Show had no real bite to it. As TV, it seemed to work because it was on every week and in the same spot so you could set your watch by it. But if one catches a few reruns in which the show is aired twice or more, the holes start showing. The Cosby Show doesn't have humor as much as it's a kickback to the pseudo-moralistic 1950s bland television in which something happens, someone finds out, and a moral is shot out. While a common criticism of this show is that it does not accurate represent race, the real truth is that the show doesn't represent human beings in any way, shape, or form. There are no real issues handled in a realistic manner. There are no real characterization outside of archetypes that date back to "Leave It To Beaver." Theo could be interchanged with Wally Cleaver or Eddie Haskell at various points in the show's run. Bill Cosby's character could be Gomez Addams mixed with the ghost of Dick Van Dyke. The lack of true characterization is what dooms this show. If anything, the Cosby Show was able to be a classic because it was right on the precipice of the old sitcom mold and what was to come but not yet formed style of television making. It did what it did well, but what it did wasn't anything groundbreaking. The Cosby Show could have been about homosexual Martian plumbers who collected Spawn figures, and the archetypes would have been exactly the same from every sitcom that came before it. Race wasn't a factor outside of publicity. Anybody could have inhabited those roles and made a classic. They did: it was a mold used for various sitcoms since the rise of popular television.
That said, the show just isn't interesting anymore. Now that Cosby's best-known show has faded into the ether for fifteen-plus years, its lack of characterization really plays against it. While most people alive and watching then could easily recognize the plot of the show, the fun is just no longer there. Outside of the new and the generally accepted opinion that the show was funny at parts, the show just has nothing to it. Most of the actors on it have faded into the ether along with the show or have done nothing of real consequence since then. They're not untalented, but the show gave them nothing to stand out with. With archetypes for characters, nobody stands out unless the plot directs them to.
In short, the show that represented the best years NBC has ever had is now just a forgotten relic without any punch in a world full of more interesting programming. While it is a piece of the past, there's nothing to recommend it outside of nostalgia. While this is unfortunate, it was the same fate that befell most of the shows that it based off of. Considering the fate of that sitcom mold, perhaps the Cosby Show can claim some sort of victory. At least it used the mold when it was somewhat respectable, and not tarnished by has-beens with the last names of Belushi and Sheen.
Not a good ending, but not as bad as it could have been. Too bad the DVDs haven't been given any respect.