This is one of the five timeless classics that literally shaped the genre of science fiction in modern cinema. 'Blade Runner' is shockingly original in its concept, with considerable depth in its theme and vision. Much has been written in the other user comments about the story and its philosophical implications, the acting, the screenplay etc. I just want to focus on two major aspects of the film.
The film brilliantly captures PKD's vision about the future. PKD has always outlined a rather dystopic society, with paranoia screaming out of its every corner. The film's use of dark sets, smoke, faded light, night-time rain, broken buildings, exotic people has effectively set the right mood for what PKD had dreamt of - a society on the verge of breakdown, living on the edge with crime, corruption and misused technology. All credits must go to the art/set directors, the cinematographers and of course to Mr. Scott himself.
The original music is just breathtaking. Vangelis created the right sound for every mood, mostly dominated by paranoia and fear of the unknown. The use of foreign music in many scenes only add to the vision of cultural complexity.
The director's cut is vastly superior than the original release not only because it excludes the voice-over, but because of the brilliant extra footage and altered ending. It designs a more perfect way to throw out the question whether Deckerd himself was a replicant or not.
The film brilliantly captures PKD's vision about the future. PKD has always outlined a rather dystopic society, with paranoia screaming out of its every corner. The film's use of dark sets, smoke, faded light, night-time rain, broken buildings, exotic people has effectively set the right mood for what PKD had dreamt of - a society on the verge of breakdown, living on the edge with crime, corruption and misused technology. All credits must go to the art/set directors, the cinematographers and of course to Mr. Scott himself.
The original music is just breathtaking. Vangelis created the right sound for every mood, mostly dominated by paranoia and fear of the unknown. The use of foreign music in many scenes only add to the vision of cultural complexity.
The director's cut is vastly superior than the original release not only because it excludes the voice-over, but because of the brilliant extra footage and altered ending. It designs a more perfect way to throw out the question whether Deckerd himself was a replicant or not.