The movie is about two stories: one is a political murder of a call-girl, the other an upper-class political party. The crossing point is the public relation character played by Al Paccino, as he is the witness of the crime and the instigator of the evening.
If the script is terrible without any decent dialogs and the directing void of any sense of drama, the performance of Al is memorable: how many fellows can be as much convincing as a powerful and feared man (as "The Godfather") as here as a little servant (see also "Donnie Brasco").
Actually, the big young lion has become a tired old one. This passing of ages is very moving, because it makes the audience ponders about getting old too.
But his slowness is only a make-up because he can get back his energy in Church scene.
Maybe it is a good thing that the movie is so awful because it put the starlight on Al's talent!
If the script is terrible without any decent dialogs and the directing void of any sense of drama, the performance of Al is memorable: how many fellows can be as much convincing as a powerful and feared man (as "The Godfather") as here as a little servant (see also "Donnie Brasco").
Actually, the big young lion has become a tired old one. This passing of ages is very moving, because it makes the audience ponders about getting old too.
But his slowness is only a make-up because he can get back his energy in Church scene.
Maybe it is a good thing that the movie is so awful because it put the starlight on Al's talent!