You probably can't get a much better endorsement for a horror film than this--I found 1408 fairly scary. Now that might not sound very remarkable, but I'm someone who almost _never_ finds films scary. For me to get into that state over a film, it has to resonate with me in a way that few films can.
Of course, I'm a sucker for horror in general, especially haunted house flicks--probably my favorite horror subgenre. I'm a big fan of Stephen King (down to liking the majority of King-related films), a big Samuel L. Jackson fan, and I like John Cusack. It was an excellent idea to have Cusack's character, Mike Enslin, be a jaded skeptic. I could empathize with him, because I'm also a writer and a skeptic with an interest in horror-related topics and the supernatural. I thought the unusual move of setting this in a major, working New York hotel was well thought-out. I also love the atmosphere of the hotel--the interior decoration, the design of the sets, etc.
All of the above primed me for the film, combined with some fine scriptwriting and performances--for example, the extended scene featuring Jackson's character, Gerald Olin, pleading with and trying every way to bribe Enslin into rethinking his decision to stay in Room 1408 was one of the better I've seen in some time.
The scariest moments arrive fairly early--shortly after Enslin begins his stay in 1408, but the whole film is incredibly engrossing, even if it begins to turn into more of a "rubber reality" trip by the end--ala Jacob's Ladder (1990), Memento (2000), The I Inside (2003), and maybe not just coincidentally, the too-little-known Nightmare on the 13th Floor (1990) (different than the Thirteenth Floor from 1999, even though that's another rubber reality film) . . . and that's another favorite genre for me. The ambiguities in 1408 are a lot of fun to speculate about afterwards, but they're also not aggravating, as some rubber reality films can be.
Of course, I'm a sucker for horror in general, especially haunted house flicks--probably my favorite horror subgenre. I'm a big fan of Stephen King (down to liking the majority of King-related films), a big Samuel L. Jackson fan, and I like John Cusack. It was an excellent idea to have Cusack's character, Mike Enslin, be a jaded skeptic. I could empathize with him, because I'm also a writer and a skeptic with an interest in horror-related topics and the supernatural. I thought the unusual move of setting this in a major, working New York hotel was well thought-out. I also love the atmosphere of the hotel--the interior decoration, the design of the sets, etc.
All of the above primed me for the film, combined with some fine scriptwriting and performances--for example, the extended scene featuring Jackson's character, Gerald Olin, pleading with and trying every way to bribe Enslin into rethinking his decision to stay in Room 1408 was one of the better I've seen in some time.
The scariest moments arrive fairly early--shortly after Enslin begins his stay in 1408, but the whole film is incredibly engrossing, even if it begins to turn into more of a "rubber reality" trip by the end--ala Jacob's Ladder (1990), Memento (2000), The I Inside (2003), and maybe not just coincidentally, the too-little-known Nightmare on the 13th Floor (1990) (different than the Thirteenth Floor from 1999, even though that's another rubber reality film) . . . and that's another favorite genre for me. The ambiguities in 1408 are a lot of fun to speculate about afterwards, but they're also not aggravating, as some rubber reality films can be.