Peter Jackson set out to make movies which the author of the Lord of the Rings trilogy, J.R.R. Tolkien would have endorsed. All three were resounding successes, though because of the film medium they necessarily varied from Tolkien's story-line. Purists may have issues with Jackson's theatrical license, but as someone who has read Tolkien's books several times and seen the films 4-5 times each, I never felt that Jackson went too far or compromised Tolkien's story, the mythology he developed or the wonderful characters he brought to life. Many have said what Jackson did could not be done. He has not only proved the nay-sayers wrong, but lovingly crafted a set of films which will, for many decades to come, stand out as a great achievement.
This is the first of three reviews I am publishing on IMDb for these films. I am labeling them Parts 1, 2, and 3 just in case anybody wants to read them in order. The reviews will be self-contained, but will also be enhanced by a chronological reading. My reviews will focus on the extended edition DVDs, though my comments are also relevant to the theatrical releases.
The Fellowship of the Ring introduces the key characters and the broad story arc of the Lord of the Rings trilogy. Wizard Gandalf the Grey travels to a small town for small people (Hobbits)to help celebrate Bilbo Baggins' birthday. The very elderly Baggins doesn't look a day over 45, and soon it becomes apparent why. Since the great adventure of his life, a quest he was sent on by Gandalf himself, he has possessed the most powerful object in all of Middle Earth The One Ring.
This ring is evil incarnate, with an insatiable lust for power, it taints every creature who possesses it and tries to work its way back to its creator Dark Lord Sauron. Bilbo uses the ring to disappear, as he intends to spend his senescence with his friends the Elves in Rivendell. But activating the ring, he draws the attention of Lord Sauron from thousands of miles away in the land of Mordor. Realizing what has occurred, Gandalf scrambles to determine a course of action and recruits Bilbo's nephew Frodo and his loyal gardener Samwise to bear the ring to the Council of Elrond in Rivendell. Thusly, the seeds of the fellowship are planted in the soil of the Shire.
At this point, we are about 1/6th of the way through The Fellowship. Fairly soon thereafter, it becomes clear who will compose the fellowship, and who and what these people are. Though the succeeding films are not entitled "Fellowship", they follow the adventures of the surviving central characters. Characterization is done just as Tolkien did it in the original novel by example not discourse.
For example, we are given hints to the identity of Strider (Mortenson) earlier on in the movie than in the novel, but the actual significance of this remains ambiguous until about midway through. Strong characterization is key to the success of the entire trilogy. To summarize, Peter Jackson, his team and cast NAIL the characterization.
The casting and acting is perfect. It is very difficult to resist the temptation to single out Mortenson and McKellen for carrying their difficult roles so well (Strider/Aragorn and Gandalf), but why risk diminishing the contributions of the rest of the cast? Nobody mis-steps, and it is clear from the beginning that the entire cast was thoroughly and completed engaged with the task before them.
Tolkien believed that no film would ever do his work justice, and until this trilogy, he was correct.Peter Jackson and his team have managed to do exactly what they set out to. As Jackson himself has said in reference to the film trilogy, they set out to 'make Tolkien's film.' Jackson successfully drew out elements of all three books, expanding and contracting, rearranging, and sometimes adding whole subplots which are hinted at in the books, but not well explained, in order to adopt the grand story to the film medium. Arwen (Liv Tyler), daughter of Elrond and Elven lover of Aragorn, for example, is introduced early in the films and plays a role in the films which is much more equal to her significance than it was in the books.
The Howard Shore score is lovely, and its simple themes are used to great effect throughout all three movies. The musical collaborations improvising on Shore's basic themes are great, and, though they feature some prominent performers are never weighed down by star-power.
Jackson made all three movies simultaneously. This technique allowed for perfect continuity, and permitted much greater flexibility in editing and post-production work than would normally be allowed. Knowing that he would need to establish and support his own fellowship to make this production work, he also knew that success would make the production legendary. So, he documented the creation of the films beautifully. Two complete DVDs full of documentary pieces are included in all three Special Edition Packages in the trilogy. Many are likely to be bored by the details in these documentaries, but those interested in the creative process behind the films will be provided with a more comprehensive view than I can remember ever seeing in any similar DVD package.
The Fellowship of the Rings is as true a representation of Tolkien's novel as can be imagined. Although some aspects of the stories in the novel were adapted to the screen, the essentials, the characters, and the overall story are not just recognizable, but ENHANCED by the film. What results is a film that is not just entertaining, but an enormous fulfillment of an undying wish of millions of fans around the world.
Very highly recommended.
This is the first of three reviews I am publishing on IMDb for these films. I am labeling them Parts 1, 2, and 3 just in case anybody wants to read them in order. The reviews will be self-contained, but will also be enhanced by a chronological reading. My reviews will focus on the extended edition DVDs, though my comments are also relevant to the theatrical releases.
The Fellowship of the Ring introduces the key characters and the broad story arc of the Lord of the Rings trilogy. Wizard Gandalf the Grey travels to a small town for small people (Hobbits)to help celebrate Bilbo Baggins' birthday. The very elderly Baggins doesn't look a day over 45, and soon it becomes apparent why. Since the great adventure of his life, a quest he was sent on by Gandalf himself, he has possessed the most powerful object in all of Middle Earth The One Ring.
This ring is evil incarnate, with an insatiable lust for power, it taints every creature who possesses it and tries to work its way back to its creator Dark Lord Sauron. Bilbo uses the ring to disappear, as he intends to spend his senescence with his friends the Elves in Rivendell. But activating the ring, he draws the attention of Lord Sauron from thousands of miles away in the land of Mordor. Realizing what has occurred, Gandalf scrambles to determine a course of action and recruits Bilbo's nephew Frodo and his loyal gardener Samwise to bear the ring to the Council of Elrond in Rivendell. Thusly, the seeds of the fellowship are planted in the soil of the Shire.
At this point, we are about 1/6th of the way through The Fellowship. Fairly soon thereafter, it becomes clear who will compose the fellowship, and who and what these people are. Though the succeeding films are not entitled "Fellowship", they follow the adventures of the surviving central characters. Characterization is done just as Tolkien did it in the original novel by example not discourse.
For example, we are given hints to the identity of Strider (Mortenson) earlier on in the movie than in the novel, but the actual significance of this remains ambiguous until about midway through. Strong characterization is key to the success of the entire trilogy. To summarize, Peter Jackson, his team and cast NAIL the characterization.
The casting and acting is perfect. It is very difficult to resist the temptation to single out Mortenson and McKellen for carrying their difficult roles so well (Strider/Aragorn and Gandalf), but why risk diminishing the contributions of the rest of the cast? Nobody mis-steps, and it is clear from the beginning that the entire cast was thoroughly and completed engaged with the task before them.
Tolkien believed that no film would ever do his work justice, and until this trilogy, he was correct.Peter Jackson and his team have managed to do exactly what they set out to. As Jackson himself has said in reference to the film trilogy, they set out to 'make Tolkien's film.' Jackson successfully drew out elements of all three books, expanding and contracting, rearranging, and sometimes adding whole subplots which are hinted at in the books, but not well explained, in order to adopt the grand story to the film medium. Arwen (Liv Tyler), daughter of Elrond and Elven lover of Aragorn, for example, is introduced early in the films and plays a role in the films which is much more equal to her significance than it was in the books.
The Howard Shore score is lovely, and its simple themes are used to great effect throughout all three movies. The musical collaborations improvising on Shore's basic themes are great, and, though they feature some prominent performers are never weighed down by star-power.
Jackson made all three movies simultaneously. This technique allowed for perfect continuity, and permitted much greater flexibility in editing and post-production work than would normally be allowed. Knowing that he would need to establish and support his own fellowship to make this production work, he also knew that success would make the production legendary. So, he documented the creation of the films beautifully. Two complete DVDs full of documentary pieces are included in all three Special Edition Packages in the trilogy. Many are likely to be bored by the details in these documentaries, but those interested in the creative process behind the films will be provided with a more comprehensive view than I can remember ever seeing in any similar DVD package.
The Fellowship of the Rings is as true a representation of Tolkien's novel as can be imagined. Although some aspects of the stories in the novel were adapted to the screen, the essentials, the characters, and the overall story are not just recognizable, but ENHANCED by the film. What results is a film that is not just entertaining, but an enormous fulfillment of an undying wish of millions of fans around the world.
Very highly recommended.