I'm always a little apprehensive about ex-con redemption films. They are generally predictable, and the emotional puppeteering is all too easy and familiar. And I must acknowledge that in The Yellow Handkerchief, there is more than a little of all that. But I don't think that's at the core of the movie. Rather, this is a story about three individuals, all lost and lonely, led by fate into a beat-up convertible, and finding themselves unexpectedly on a little road trip in post-Katrina rural Louisiana.
Award-winning German producer Arthur Cohn put together this project, and Indian director Udayan Prasad made some great casting calls. William Hurt is at the center as Brett, a just-released ex-con battling his demons (which are gradually revealed throughout the movie) and tenuously reentering the outside world. It's a role that comes naturally to Hurt, more like his classics The Big Chill, The Doctor and The Accidental Tourist than his arresting departure in The History of Violence. The inescapably sexy Maria Bello shows up mostly in flashbacks, as the love of his pre-prison life. Eddy Redmayne (Gordy) and Kristen Stewart (Matine) steal the show as the youngsters who meet in a store, and find themselves moments later asking Brett to make them an unlikely threesome.
Prasad does a great job of sharing with the audience the unadorned emotions at play as these three feel each other out, and gradually get comfortable together. There is natural tension, as Brett is older, obviously hardened, and something of mystery, and even more so when they find out he is an ex-con. But also anger, fear and disgust, before the softening. The strengths and weaknesses of each character are slowly exposed as their journey leads them in search of acceptance, hope and love. And talented cinematographer Chris Berges brings an eerie sadness to the Louisiana bayou country, not nearly recovered from the ravages of Katrina.
The Yellow Handkerchief may move too slowly for broad public acceptance. But the story never lagged, holding the audience throughout, and rewarding them at the end. One might accuse the ending of being a little hackneyed (and one would be right) but that hardly dulls the shine of a movie that leaves you feeling positive and optimistic.
Sundance Moment: Prasad, Cohn, Hurt, Bello, Redmayne and Stewart were all at the premiere. Best line was from Cohn, who said some people told him this was a "little movie." "There are no little movies or big movies," he repeated twice. Sundance philosophy in a nutshell.
Award-winning German producer Arthur Cohn put together this project, and Indian director Udayan Prasad made some great casting calls. William Hurt is at the center as Brett, a just-released ex-con battling his demons (which are gradually revealed throughout the movie) and tenuously reentering the outside world. It's a role that comes naturally to Hurt, more like his classics The Big Chill, The Doctor and The Accidental Tourist than his arresting departure in The History of Violence. The inescapably sexy Maria Bello shows up mostly in flashbacks, as the love of his pre-prison life. Eddy Redmayne (Gordy) and Kristen Stewart (Matine) steal the show as the youngsters who meet in a store, and find themselves moments later asking Brett to make them an unlikely threesome.
Prasad does a great job of sharing with the audience the unadorned emotions at play as these three feel each other out, and gradually get comfortable together. There is natural tension, as Brett is older, obviously hardened, and something of mystery, and even more so when they find out he is an ex-con. But also anger, fear and disgust, before the softening. The strengths and weaknesses of each character are slowly exposed as their journey leads them in search of acceptance, hope and love. And talented cinematographer Chris Berges brings an eerie sadness to the Louisiana bayou country, not nearly recovered from the ravages of Katrina.
The Yellow Handkerchief may move too slowly for broad public acceptance. But the story never lagged, holding the audience throughout, and rewarding them at the end. One might accuse the ending of being a little hackneyed (and one would be right) but that hardly dulls the shine of a movie that leaves you feeling positive and optimistic.
Sundance Moment: Prasad, Cohn, Hurt, Bello, Redmayne and Stewart were all at the premiere. Best line was from Cohn, who said some people told him this was a "little movie." "There are no little movies or big movies," he repeated twice. Sundance philosophy in a nutshell.