Johnny Depp certainly got himself another hit on his hands with this one, much to the delight of his considerable fan club and every other Broadway baby out there. While I don't know if Johnny Depp is the world's greatest singer (he won't be doing opera anytime soon) he proves that he can carry a tune well enough to make this a musical worth seeing, and fans of prior versions of the show should be pleased. Helena Bonham Carter keeps up her pace as his consort with that flair of hers we all know and love.
But it ain't just Mr. Depp and Ms. Carter. Even without him and his gifts "Sweeny Todd" is art, a sensitive version of the old legend of the killer that speaks of his personal tragedy even as it recognizes his darker and, dare I say, it comedy. Simply put, "Sweeny Todd" is a great story in every sense of the word. It has it all: comedy, tragedy, romance, cannibalism. What more do you need? Visually it is a gem, from the river of blood that opens it to the scenes that vary between the streets of London and the cramped spaces of the homes and pie shops. It does not sweep broadly, but pulls you into claustrophobic conditions that force you to examine the characters. Every one of them is real. Every one of them, good or evil, earns your appreciation in a character-driven story that refuses to be two-dimensional.
This is not about a barber that kills people. This is about what people will do when they are desperate in their passions of love and hate. We see goodness, innocence, love. We see revenge, evil, pain. We see everything in between, serious and funny alike.
The songs are incredible and do their part to move the story along in their lyrics of passion and black humor.
Isn't it great that musicals are back in vogue?
But it ain't just Mr. Depp and Ms. Carter. Even without him and his gifts "Sweeny Todd" is art, a sensitive version of the old legend of the killer that speaks of his personal tragedy even as it recognizes his darker and, dare I say, it comedy. Simply put, "Sweeny Todd" is a great story in every sense of the word. It has it all: comedy, tragedy, romance, cannibalism. What more do you need? Visually it is a gem, from the river of blood that opens it to the scenes that vary between the streets of London and the cramped spaces of the homes and pie shops. It does not sweep broadly, but pulls you into claustrophobic conditions that force you to examine the characters. Every one of them is real. Every one of them, good or evil, earns your appreciation in a character-driven story that refuses to be two-dimensional.
This is not about a barber that kills people. This is about what people will do when they are desperate in their passions of love and hate. We see goodness, innocence, love. We see revenge, evil, pain. We see everything in between, serious and funny alike.
The songs are incredible and do their part to move the story along in their lyrics of passion and black humor.
Isn't it great that musicals are back in vogue?