One Last Dance is the story of T, a mysterious hit-man contracted by a local mob boss to kill the people responsible for the recent kidnapping and murder of said mob boss' son. However, things don't quite go according to plan, and as the bodies piles up, T finds himself questioning just how close to home his next target will be...
Can you say cliché? Good, because that's what One Last Dance is almost exclusively made of. The characters are exaggerated types and the ordinary plot has delusions of grandeur. While the dialogue does have its moments, such as a particularly informative conversation on the finer points of making a cup of tea, most of it is faux-cool and decidedly average.
The movie isn't helped by director Max Makowski either, with his unnecessary just-out-of-film-school camera tricks and gratuitous use of CGI for the smallest of things.
Its saving grace is the performance of Francis Ng, who plays T with the right balance of world-weariness and romanticism essential for any hired killer, and when he's off-screen, you certainly notice his absence. Ng's T keeps holds your interest when the plot fails and keeps the film afloat.
Good hit-man movies are stylish, smart, and cool, but for all its glossy trickery and pop-culture references, One Last Dance is not.
Can you say cliché? Good, because that's what One Last Dance is almost exclusively made of. The characters are exaggerated types and the ordinary plot has delusions of grandeur. While the dialogue does have its moments, such as a particularly informative conversation on the finer points of making a cup of tea, most of it is faux-cool and decidedly average.
The movie isn't helped by director Max Makowski either, with his unnecessary just-out-of-film-school camera tricks and gratuitous use of CGI for the smallest of things.
Its saving grace is the performance of Francis Ng, who plays T with the right balance of world-weariness and romanticism essential for any hired killer, and when he's off-screen, you certainly notice his absence. Ng's T keeps holds your interest when the plot fails and keeps the film afloat.
Good hit-man movies are stylish, smart, and cool, but for all its glossy trickery and pop-culture references, One Last Dance is not.