"Taxi Driver" starts off with a beautiful and perfectly fitting score from composer, Bernard Hermann, as we see the blurred city of New York as the fast paced lights from cars and signs are distorted and put into slow motion. "Taxi Driver" is one of Martin Scorsese' finest achievements as he teams up with Robert De Niro. Travis Bickle (De Niro) is the title character. The acting as a whole is exceptional. Harvey Keitel has an extremely small part as a pimp named Sport, and he brings a forgettable character to center stage. Keitel is so good in this you wish you would get to see more from his character. Jodie Foster plays the prostitute under Sports rule. Iris, is 12 years old, and for a 14 year old actress (at the time), Foster deals with some heavy and extremely adult material, and she handles it incredibly well. Keitel and Foster have a scene together where Sport holds her and slowly dances with her as he whispers into her ear about how lucky he is to have a woman like her. It's an utterly repulsive scene. The look on his face mixed with the calm and safe look on the face of Iris, is pretty disgusting. It's extremely well acted even though it's a pretty quick and minor scene. In this one scene we see the type of control Sport has over the young, impressionable child that he abuses and takes advantage of. These are the kinds of things that set Travis Bickle off. The film is a classic that dissects the fallout of one mans loneliness and his thirst for acceptance, recognition and notice. The editing is very good, the direction is great, but it's carried by a magnificent script from Paul Schrader and a great lead performance. This probably stands as De Niro's second best work to "Raging Bull," and among the finest acting performances of all time.
Travis Bickle is the self proclaimed, "God's lonely man." Bickle walks amongst the people on the filthy, crowded streets of New York City. Wherever he goes, he goes unnoticed; like a ghost meandering through life's morbid boredom of repetitiveness as each day endlessly runs into the next. Bickle suffers from an inability to sleep so he goes to the porno theaters after 12 hour shifts. His mind is constantly racing as he takes various forms of pills and abuses alcohol. The former Vietnam Veteran has a damaged psyche that continues to get worse and worse as the disgust for the lowlifes of New York eat away at his consciences. The first act of the films starts with a normal looking man, with a regular hair cut and regular job in an irregular city. We watch Bickle go through everyday routines and his work habit is the main focus to derive attention away from his bloodlust. We don't see much wrong with him other than some signs of frustration and restlessness. He decides that his body needs some fine tuning as he reverts back to his days as a Marine. He meets up with a gun dealer and buys three pistols and a .44 magnum. He's ready for war, and the table is set.
The ending of the film is controversial for its vagueness and its inability to state a clear purpose of reality or fantasy. The film strongly suggests a dream-like state as we watch with a long running overhead shot (possibly signifying Bickle's departure from the world?) of the carnage left in Bickle's wake. Then there's the music of a dream inducing state at the end of the scene, which is the strongest hint towards a dream like state. What we do know is that Travis Bickle takes the lives of lowlifes, degenerates, and the scum of the earth. He's treated as the hero and glorified by the media for his actions. This is a slap in the face to the media for finding that a vigilante did the right thing because it was for a good cause: Kill 5 scumbags, save 1. The final scene of the film is also controversial. We see Betsy for the first time since their big fight and she's no longer disgusted with Travis. Now the media has changed her opinion of him too. Travis has reverted back to the same look he spouted in the first act of the film. He's quiet, reserved and humble. He looks harmless. As the ride home goes along we find out that Palantine has won the nomination. After, Travis drops Betsy off, he leaves without taking her money and with a smile on his face he gives her a simple, "So long." As Travis drives off, he menacingly looks back into the mirror, representing a problem still exists, then we fade back to the start of the film. With the symbolic scenes throughout the film depicting Bickle's brooding, boiling, rage within; symbolizing the fact that nothing has changed. The near death experience doesn't cure him. The accolades from the media and the recognition from everyday people doesn't make it any better. He's still ready for war.
Travis Bickle is the self proclaimed, "God's lonely man." Bickle walks amongst the people on the filthy, crowded streets of New York City. Wherever he goes, he goes unnoticed; like a ghost meandering through life's morbid boredom of repetitiveness as each day endlessly runs into the next. Bickle suffers from an inability to sleep so he goes to the porno theaters after 12 hour shifts. His mind is constantly racing as he takes various forms of pills and abuses alcohol. The former Vietnam Veteran has a damaged psyche that continues to get worse and worse as the disgust for the lowlifes of New York eat away at his consciences. The first act of the films starts with a normal looking man, with a regular hair cut and regular job in an irregular city. We watch Bickle go through everyday routines and his work habit is the main focus to derive attention away from his bloodlust. We don't see much wrong with him other than some signs of frustration and restlessness. He decides that his body needs some fine tuning as he reverts back to his days as a Marine. He meets up with a gun dealer and buys three pistols and a .44 magnum. He's ready for war, and the table is set.
The ending of the film is controversial for its vagueness and its inability to state a clear purpose of reality or fantasy. The film strongly suggests a dream-like state as we watch with a long running overhead shot (possibly signifying Bickle's departure from the world?) of the carnage left in Bickle's wake. Then there's the music of a dream inducing state at the end of the scene, which is the strongest hint towards a dream like state. What we do know is that Travis Bickle takes the lives of lowlifes, degenerates, and the scum of the earth. He's treated as the hero and glorified by the media for his actions. This is a slap in the face to the media for finding that a vigilante did the right thing because it was for a good cause: Kill 5 scumbags, save 1. The final scene of the film is also controversial. We see Betsy for the first time since their big fight and she's no longer disgusted with Travis. Now the media has changed her opinion of him too. Travis has reverted back to the same look he spouted in the first act of the film. He's quiet, reserved and humble. He looks harmless. As the ride home goes along we find out that Palantine has won the nomination. After, Travis drops Betsy off, he leaves without taking her money and with a smile on his face he gives her a simple, "So long." As Travis drives off, he menacingly looks back into the mirror, representing a problem still exists, then we fade back to the start of the film. With the symbolic scenes throughout the film depicting Bickle's brooding, boiling, rage within; symbolizing the fact that nothing has changed. The near death experience doesn't cure him. The accolades from the media and the recognition from everyday people doesn't make it any better. He's still ready for war.