7/10
Moving drama handicapped by jerky photography
17 January 2009
Warning: Spoilers
"The Owl and the Sparrow", the first feature from Stephane Gauger, who also wrote the screenplay and shot it, is an effective drama about a young orphan girl, Thuy (Pham Thi Han), who escapes from her uncle's factory and lives on the streets of Saigon. There, she befriends a kind zookeeper and a flight attendant. Various dramas flare as young Thuy becomes involved in matchmaking, fleeing from the police, and helping an elephant survive. The film's strengths are in its writing and performances. The young lead actress is extremely good, delivering a mature, layered, inspired performance. What lets the film down, especially during its first half hour, is the camera-work. It is unnecessarily jerky and often out of sync with the momentum of the emotions. When we're being drawn into the film's heart, we're also having to deal with motion sickness. Jerkiness does not equal edginess. The material here is strong, so strong, in fact, that it does not need shots of photographic adrenalin. Thankfully, the camera calms down and the rest of the movie is highly watchable and allowed to proceed without interruption. Hopefully, Gauger will trust the material and the performances next time. Still, this is a fine achievement.
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