5/10
weak early Holmes with terribly miscast Owen
27 January 2009
Warning: Spoilers
The copy of this I watched was from one of those 50-film box sets - I think it's "Mystery Classics". I had some hopes for it being a decent copy - all 3 of the Rathbone Holmes on the set are quite clear and presentable - but alas such was not the case, though it appears that the separately-available Alpha Video DVD isn't much or any better. This is scratchy, indistinct and fuzzy at times, with poor sound and lots of noticeable dialog dropout. So it's conceivable that a better print would make some difference in my feelings.

Not likely though. Overall this is one of, if not the, poorest Holmes films I've seen. A large part of the problem rests in the casting of Reginald Owen who is not only physically wrong - a jowly, double-chinned Holmes just doesn't work - but also just plain irritating and seemingly uninterested in the character. I'm sure the screenplay has a lot to do with things also, as it makes out Holmes to be more of a super-cop than anything else, and every time he explains (in even more exasperated tones than is usual for the character) his miraculous sleuthing it comes off as talking down to both his fellow police and Watson, and to us the audience. Of course, Holmes is supposed to be arrogant - but here it's a sort of flip arrogance - hard to explain exactly, but it just seems both perfunctory and unnecessary. And having Holmes shoot one of the bad guys in the back at the end -- that didn't work at all.

The plot has little to do with the novel from which it takes its name; here Holmes is on the trail of a murderer slowly killing off members of some secret society which is only revealed in nature at the end but which we can figure out very early on. The whole Mormon backstory and flashback nature of the novel is gone - apparently there were worries about alienating people at the time; this is after all a Hollywood, not a British production. Everything feels very by-the-numbers, the rest of the actors aren't really interesting either except for Anna May Wong as the femme fatale who brings at least a little eroticism and enthusiasm to her part.
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