6/10
Following in the "39 Steps"
9 February 2009
I rated this film only 6/10 which agrees with the overall IMDb.com average rating.As other reviewers have aptly pointed out above, this Ralph Thomas directed film does not have the quirky comedy, pace or nail biting finish of a Hitchcock.However It has some similarities enough to show Thomas was at least influenced by that great master.

Jean Simmons was 22 when she made this film and was at a stage in her career when agents were casting her in roles where she had psychiatric problems.One only has to think of her "Ophelia" in Laurence Olivier's "Hamlet" (1948) and "Angel Face" (1952), the psychotic daughter of Herbert Marshall.Much as I admire Trevor Howard I do not see him as a romantic lead (unless he is wooing Celia Johnson. i.e. an older woman); so I would have preferred a younger looking and more handsome leading man.The final scene (as pointed out above by another reviewer) showed them walking along the rooftops of the Liverpudlian warehouse, arm in arm but it looked more like father and daughter!! (Note: I know Trevor Howard always looked older than he really was).I guess he obtained this cloak & dagger type part on the strength of his army officer cracking down on black market traffickers in Carol Reed's "The Third Man" (1949).

Barry Jones often appeared in professorial type roles and he made a menacing "baddy".I love spotting character actors in films of this vintage such as Sam Kydd as a police wireless operator and the actor Richard Wattis who played the employment consultant (the same year he played the maths master in "The Happiest Days of Your Life" with Alistair Sim).Also I spotted Dandy Nichols as a harassed mother on the train, long before she would rise into public awareness as Mrs Garnett in the 60s TV comedy series " 'Till Death Do Us Part" with Warren Mitchell.Kenneth More was really serving his film acting apprenticeship and before long he would play a lead in "Genevieve" (1953).

Have a look at Hitchcock's "The 39 Steps" (1935) with Robert Donat & Madeleine Carroll and particularly compare the chase scenes over the wild countryside, then compare the pacing, humour and interplay between the principal actors and you will see why this film ,although good, only warrants a 6/10.
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