Having been unceremoniously dumped onto theatres to do Jessica Simpson business, this nasty, spectacularly violent shocker isn't perfect, but it's solidly entertaining and well worth a look.
If the idea of a prominently-featured Vinnie Jones as a serial killer turns you off, rest assured he does a wonderfully menacing job and is perfect for this kind of role.
The over-the-top (mostly CGI) violence is the film's unique selling point and it delivers in spades. While it's not photo-real it is insane enough to work beautifully, and those familiar with the more violent modern Japanese fare (like the director's own Versus)will find it a treat to see such sensibilities in a Western production. That said, there are plenty of gruesome practical effects to keep the purists happy.
The main character's descent into madness is too abrupt; it comes out of nowhere rather than being a gradual process. This combined with the fact that Bradley Cooper is a generally weak lead, and as an actor just can't meet the demands of these scenes in particular, makes them rather laughable. Leslie Bibb as his girlfriend fares little better but at least her arc makes sense.
The revelation at the end is a mild surprise but where it really succeeds is in changing your perception of what's come before. The ending feels rushed, but all the information we need is presented clearly so it's hard to grumble.
If the idea of a prominently-featured Vinnie Jones as a serial killer turns you off, rest assured he does a wonderfully menacing job and is perfect for this kind of role.
The over-the-top (mostly CGI) violence is the film's unique selling point and it delivers in spades. While it's not photo-real it is insane enough to work beautifully, and those familiar with the more violent modern Japanese fare (like the director's own Versus)will find it a treat to see such sensibilities in a Western production. That said, there are plenty of gruesome practical effects to keep the purists happy.
The main character's descent into madness is too abrupt; it comes out of nowhere rather than being a gradual process. This combined with the fact that Bradley Cooper is a generally weak lead, and as an actor just can't meet the demands of these scenes in particular, makes them rather laughable. Leslie Bibb as his girlfriend fares little better but at least her arc makes sense.
The revelation at the end is a mild surprise but where it really succeeds is in changing your perception of what's come before. The ending feels rushed, but all the information we need is presented clearly so it's hard to grumble.