Over the past three years, give or take, there have been an assortment of films that have attempted to articulate and illustrate the many complexities of the Middle East. Paticuluarly in the aspect of Western involvement in this tense region. The Hurt Locker is that: tense and at times nerve racking.
The generation of such sensations and feelings of anxiousness and distress should be much accredited to Kathryn Bigelow, the director. Yet the reason for her success which of course is her direction, is quite unorthodox. The most tense and debilitating moments are done so in slow pacing and seemingly tranquil moments rather then rushing into rapid action and quick camera-shots. The screenwriter of the film, Mark Boal continues to rise with The Hurt Locker as only his second screenplay, the other being In the Valley of Elah. The two combined together create not just greatly done action sequences but ultimately thought provoking ones.
The performances as well were quite convincing from almost seemingly upcoming stars in Jeremy Renner, Brian Geraghty and almost certainly Anthony Mackie considering his powerful résumé. There are also greatly meaningful quintessential cameos from such well accomplished actors such as Guy Pearce, David Morse and Ralph Fiennes.
Films on this subject have tried focusing on very focused and specific aspects of this plight and find themselves wandering off into unnecessary and confusing aspects of the story. Others have attempted to assess the situation broadly but with doing so, most often make the mistake of presenting the different facets in a much too mundane or simplified fashion. With this it is obvious very few films have succeeded in presenting a thorough, accurate and sensible look at this tense region. The Hurt Locker creates a tension that I last felt from Apocalypse Now. I'm certainly not saying the film is of the status of Apocalypse Now but I certainly advise to watch at the least a very good war film.
The generation of such sensations and feelings of anxiousness and distress should be much accredited to Kathryn Bigelow, the director. Yet the reason for her success which of course is her direction, is quite unorthodox. The most tense and debilitating moments are done so in slow pacing and seemingly tranquil moments rather then rushing into rapid action and quick camera-shots. The screenwriter of the film, Mark Boal continues to rise with The Hurt Locker as only his second screenplay, the other being In the Valley of Elah. The two combined together create not just greatly done action sequences but ultimately thought provoking ones.
The performances as well were quite convincing from almost seemingly upcoming stars in Jeremy Renner, Brian Geraghty and almost certainly Anthony Mackie considering his powerful résumé. There are also greatly meaningful quintessential cameos from such well accomplished actors such as Guy Pearce, David Morse and Ralph Fiennes.
Films on this subject have tried focusing on very focused and specific aspects of this plight and find themselves wandering off into unnecessary and confusing aspects of the story. Others have attempted to assess the situation broadly but with doing so, most often make the mistake of presenting the different facets in a much too mundane or simplified fashion. With this it is obvious very few films have succeeded in presenting a thorough, accurate and sensible look at this tense region. The Hurt Locker creates a tension that I last felt from Apocalypse Now. I'm certainly not saying the film is of the status of Apocalypse Now but I certainly advise to watch at the least a very good war film.