"The Osterman Weekend" emits the feeling of a last gasp. What was an author's second novel later took this form of a director's last film. Sam Peckinpah was a good choice for directing, with film's like "The Wild Bunch" and "Pat Garrett and Billy the Kid" under his belt, Peckinpah wouldn't hesitate to show the grim world of betrayal and manipulation that Robert Ludlum showed through virtually everyone of his books. With spy films like the James Bond franchise being the most popular, this was the lesser seem side of that coin - the side that is less escapist adventure storytelling for boys.
However, the problems that Sam Peckinpah was going through at his last stages have noticeably affected the film. The intricate plot is there, but feels stitched together in parts, though that may very well be due the studio demanding re-editing work. The action is at times sloppy with very little of the mesmerizing details of Peckinpah's previous action sequences; a car crash even contains multiple repeats of the same angle and makes some disastrous continuity. The other action scenes are a notch or two better, but still far from what they could have been.
But, at least the plot and its many deceptions keep you guessing, right to the last shot. --- 6/10
BsCDb Classification: 13+ --- violence, sexual content
However, the problems that Sam Peckinpah was going through at his last stages have noticeably affected the film. The intricate plot is there, but feels stitched together in parts, though that may very well be due the studio demanding re-editing work. The action is at times sloppy with very little of the mesmerizing details of Peckinpah's previous action sequences; a car crash even contains multiple repeats of the same angle and makes some disastrous continuity. The other action scenes are a notch or two better, but still far from what they could have been.
But, at least the plot and its many deceptions keep you guessing, right to the last shot. --- 6/10
BsCDb Classification: 13+ --- violence, sexual content