9/10
Perhaps just me, but I didn't see anything close to a "love" story per se...
6 August 2009
Warning: Spoilers
Disagreements and different interpretations of the ending aside, the overpowering feeling I got from the film was one of "redemption".

"Kenji" is an obviously deeply troubled man with a past he's running from, and the fact he's so entrenched in his past deeds or connections he has no one to look after or anything to concern himself with other than his own suicidal thoughts.

"Noi" is his second chance at life, but the chemistry and dynamic of the relationship isn't awfully important. The fact it's nuanced with romanticism is a nice touch, but she represents mostly in my opinion another individual in Kenji's now incredibly closed emotional circle as "someone who needs help". The fact Kenji takes such an interest in her well-being ("good" male influences in her life are apparently uncommon) is what makes her keep this initially creepy guy around.

From start to finish this is what I felt, and makes the ending, while interesting, not the most important thing in my mind to debate. Him smiling in the police station is enough for me; he helped another human being get out of a bad situation, thus at least guaranteeing he added value to a world he was already trying to leave on his own accord. Whatever happens after (if anything) between the two is almost secondary.

The cinematic landscape is littered with films of opposites attracting in strange circumstances. What makes this film better than most is that the underlying premise from my standpoint is something greater.
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