"This is not a love story. This is a story about love." The following quote is too true about this film, and is the perfect description of it. "500 Days Of Summer" is a wonderful tale about love, loss, heartbreak, and dealing with those emotions. The story is beautifully told through one of the most original and captivating scripts of the year, and carried by the phenomenal breakout performance of Joseph Gordon-Levitt. I don't really think I've ever seen a movie, or an actor, capture the emotions as well as this movie and its star do.
There's no question that this film is the breakout indie comedy of 2009, like "In Bruges", "Little Miss Sunshine", "Juno", and "Sideways" before it. But the question is, why is it that movie? Like those movies listed above, "500 Days Of Summer" is so realistic and true in its approach that it never feels redundant or clichéd, despite being in the most formulaic and clichéd genre of film. Whether its approach be comedic, tragic, or just all out absurd (wait for the musical number!), "500 Days Of Summer" hits every note with perfection, whether or not the audience will like what they see.
There are those who simply know Joseph Gordon-Levitt as the kid from "Angels In the Outfield" or "3rd Rock From the Sun", but from now on, this will be what he's remembered for until he tops this (which, with his talent, is definitely going to happen). Gordon-Levitt's tactful and emotional take showed me something I rarely see: the ability to connect with each audience member on a personal level. It's one of the most emotionally stirring performance I've seen in many years. Throughout the film, I knew I was watching some of the best acting of the year because I not only recognized similar events that occur throughout Tom's relationship with Summer, but I remember feeling exactly what Gordon-Levitt portrays on screen. He really is a gem of an actor that should be watched for years to come (this is of course, something I've been saying for years, (but no one seemed to listen). An Oscar nomination is not out of the question here.
I don't know if it was just me and my date, but Zooey Deschanel's performance, while good, seemed more like the script being tailor made to her abilities as an actress. In short, her performance was enjoyable, and at times adorable, but I've seen her do the same thing in almost every role she's played, especially in "Elf" and "Yes Man" (in fact, her take on Summer is nearly identical to her performance in "Yes Man"). I just don't think I'm as enamored with her as everyone else, but in no way does she detract from the film at all.
Perhaps the only romantic comedy cliché that is present here is the strength of the supporting cast, who I loved. I couldn't get enough of Geoffrey Arend as Tom's friend McKenzie, as he delivers some of the movie's funniest moments (and trust me, there are plenty, especially in the beginning and middle). Clark Gregg hits all the right notes, while Chloe Moretz is the sometimes hilariously great voice of reason that is Tom's little sister. Cameos from Minka Kelly and Ian Reed Kesler are also very well done.
If I had to pick out some problems, which would be nitpicking, I'd say that the movie is really short. With a story that literally encompasses 500 days (which are conveniently all in the same season...well, I guess that's Los Angeles for you), you'd think they'd need a little more time to cover it, as the film runs under 2 hours even with previews. I also didn't necessarily like a turn the script took later in the film, but it made sense and worked in the end, so it's really a non-issue.
Back to the things I liked about this one. There's a great amount of laughter and smiles in this movie, despite it taking a very serious tone towards the end. My face hurt from smiling so much. I also really loved the music, whether it was the composed music or the songs used throughout. This is a very stylish movie that, like "Juno" and "Garden State" before it, should spawn a bit of a mini-cult of people emulating the style (I know I want Tom's wardrobe). It's a good natured movie that will bring out your emotions and make you think about love in general, and how you've experienced it. It really is a crowd pleaser at its core, even if it's not a typical crowd pleaser.
A question a lot of people might have is, "is this a good date movie?". The answer is yes, but only if that date is someone you genuinely care about and/or - shocker here - love. It's not something you want to take someone to unless you know them well enough to see a movie like this, because...remember, it's not a love story, it's a story about love. In fact, it may be the best romance film I've seen in many years.
There's no question that this film is the breakout indie comedy of 2009, like "In Bruges", "Little Miss Sunshine", "Juno", and "Sideways" before it. But the question is, why is it that movie? Like those movies listed above, "500 Days Of Summer" is so realistic and true in its approach that it never feels redundant or clichéd, despite being in the most formulaic and clichéd genre of film. Whether its approach be comedic, tragic, or just all out absurd (wait for the musical number!), "500 Days Of Summer" hits every note with perfection, whether or not the audience will like what they see.
There are those who simply know Joseph Gordon-Levitt as the kid from "Angels In the Outfield" or "3rd Rock From the Sun", but from now on, this will be what he's remembered for until he tops this (which, with his talent, is definitely going to happen). Gordon-Levitt's tactful and emotional take showed me something I rarely see: the ability to connect with each audience member on a personal level. It's one of the most emotionally stirring performance I've seen in many years. Throughout the film, I knew I was watching some of the best acting of the year because I not only recognized similar events that occur throughout Tom's relationship with Summer, but I remember feeling exactly what Gordon-Levitt portrays on screen. He really is a gem of an actor that should be watched for years to come (this is of course, something I've been saying for years, (but no one seemed to listen). An Oscar nomination is not out of the question here.
I don't know if it was just me and my date, but Zooey Deschanel's performance, while good, seemed more like the script being tailor made to her abilities as an actress. In short, her performance was enjoyable, and at times adorable, but I've seen her do the same thing in almost every role she's played, especially in "Elf" and "Yes Man" (in fact, her take on Summer is nearly identical to her performance in "Yes Man"). I just don't think I'm as enamored with her as everyone else, but in no way does she detract from the film at all.
Perhaps the only romantic comedy cliché that is present here is the strength of the supporting cast, who I loved. I couldn't get enough of Geoffrey Arend as Tom's friend McKenzie, as he delivers some of the movie's funniest moments (and trust me, there are plenty, especially in the beginning and middle). Clark Gregg hits all the right notes, while Chloe Moretz is the sometimes hilariously great voice of reason that is Tom's little sister. Cameos from Minka Kelly and Ian Reed Kesler are also very well done.
If I had to pick out some problems, which would be nitpicking, I'd say that the movie is really short. With a story that literally encompasses 500 days (which are conveniently all in the same season...well, I guess that's Los Angeles for you), you'd think they'd need a little more time to cover it, as the film runs under 2 hours even with previews. I also didn't necessarily like a turn the script took later in the film, but it made sense and worked in the end, so it's really a non-issue.
Back to the things I liked about this one. There's a great amount of laughter and smiles in this movie, despite it taking a very serious tone towards the end. My face hurt from smiling so much. I also really loved the music, whether it was the composed music or the songs used throughout. This is a very stylish movie that, like "Juno" and "Garden State" before it, should spawn a bit of a mini-cult of people emulating the style (I know I want Tom's wardrobe). It's a good natured movie that will bring out your emotions and make you think about love in general, and how you've experienced it. It really is a crowd pleaser at its core, even if it's not a typical crowd pleaser.
A question a lot of people might have is, "is this a good date movie?". The answer is yes, but only if that date is someone you genuinely care about and/or - shocker here - love. It's not something you want to take someone to unless you know them well enough to see a movie like this, because...remember, it's not a love story, it's a story about love. In fact, it may be the best romance film I've seen in many years.