The concept of the Rear Window is so quaint its positively humbling. The idea of setting an entire film in just one location would seem like a major faux pas in a thriller film. However, the approach is justified, the viewer is subjected to the main character's point of view of the events which at the same time creates a small element of doubt as to what the viewer is seeing is really happening.
The acting performances are old school, but they serve the style of the film and help it stay interesting. Hitchcock's films tend to have very good dialogue and I like listening to it.
What surprises me about the film is how dark it is in spite of seeming so innocent. It has the elements of a great detective story but with a detective who can't leave the room. The one small special-effect moment at the end is probably the only part of the film that doesn't fully work but even it is a minor flaw in an otherwise marvelous movie which still holds up.
The acting performances are old school, but they serve the style of the film and help it stay interesting. Hitchcock's films tend to have very good dialogue and I like listening to it.
What surprises me about the film is how dark it is in spite of seeming so innocent. It has the elements of a great detective story but with a detective who can't leave the room. The one small special-effect moment at the end is probably the only part of the film that doesn't fully work but even it is a minor flaw in an otherwise marvelous movie which still holds up.