I saw The Messenger (as well as Oren Moverman and Ben Foster luckily) at the 2009 Philadelphia Film Festival and can say sincerely that I was captivated and moved by it for the majority of its runtime. No matter what your background or stance on the war, you need not worry because it is not a movie that attempts to have an opinion, but merely one that captures a different kind of war- one between civilians and the military, between following procedure and following what you believe.
In his last three months of service, Officer Will Montgomery (Ben Foster), is assigned to be a messenger to next-of-kins who have died in Iraq alongside the elder Lieutenant Anthony Stone (Woody Harrelson). He struggles with being the bearer of bad news to heartbroken parents and wives, delivering the messages to people of all ages, ethnicities, and social classes. His work becomes compromised, however, when complications with his girlfriend arise and he becomes involved with one of the widows, challenging his ethical and moral considerations. He plays the younger, more vulnerable to Harrelson's gruff, uncompromising, and often cold ethic.
The film is, in a word, compassionate, as it is almost entirely character-driven. The chemistry between Foster and Harrelson is incredible, demonstrating talent beyond the range of what one would expect for both actors. I would be very surprised if either one of these two were not nominated for an Academy Award. The cinematography is also very unusual, filmed in long takes, letting scenes unfold, rather than wide/medium/close- up/reverse formula, and heavily based on improvisation.
All in all, The Messenger is a touching story about the differences we can make in others' lives simply by being the right person to break the news and having an open heart. It's a tribute to the men and women in arms without letting political differences get in the way. A story of the war at home shared alike by civilians and military, it's hard not to feel emotionally affected.
In his last three months of service, Officer Will Montgomery (Ben Foster), is assigned to be a messenger to next-of-kins who have died in Iraq alongside the elder Lieutenant Anthony Stone (Woody Harrelson). He struggles with being the bearer of bad news to heartbroken parents and wives, delivering the messages to people of all ages, ethnicities, and social classes. His work becomes compromised, however, when complications with his girlfriend arise and he becomes involved with one of the widows, challenging his ethical and moral considerations. He plays the younger, more vulnerable to Harrelson's gruff, uncompromising, and often cold ethic.
The film is, in a word, compassionate, as it is almost entirely character-driven. The chemistry between Foster and Harrelson is incredible, demonstrating talent beyond the range of what one would expect for both actors. I would be very surprised if either one of these two were not nominated for an Academy Award. The cinematography is also very unusual, filmed in long takes, letting scenes unfold, rather than wide/medium/close- up/reverse formula, and heavily based on improvisation.
All in all, The Messenger is a touching story about the differences we can make in others' lives simply by being the right person to break the news and having an open heart. It's a tribute to the men and women in arms without letting political differences get in the way. A story of the war at home shared alike by civilians and military, it's hard not to feel emotionally affected.